Beatrice Serpieri. Complicità.

A cura di Emilio Bigi. Commento di Giovanni Ponte. Milano, Mursia 1966, 1968, cm.14x21, pp.XXXVIII,1256, legatura editoriale in balacron, titoli e cornici in oro al dorso, con sopraccoperta trasparente. Custodia. Collana I Classici Italiani,II.

Torino, Utet 1926, cm.19x26,5, pp.153, 57 figg.bn.nt. rilegatura in tutta tela, Collana Trattato Italiano d'Igiene diretto dal prof.Oddo Casagrandi,20.

New York, G.P.Putnam's Sons 1956, cm.22x28, pp.126, and 90 full-page art photos hardcover, dustjacket. First edition. Excerpt from the Foreword by Normal Hall: Andre de Dienes is one of the great photographers of these times. He is at once a mixture of restlessness and curiosity; he is a person of great sensitivity, a perfectionist who can never quite be satisfied. He has the drive and dedication of an artist and the technique of a master photographer. His success in nude photography - and, I honestly believe, he is the finest exponent of this difficult field in the world - depends on a combination of varied attributes and skill. Certainly, the nude is no subject for the dilettante; but de Dienes is a specialist of many years' experience. Elsewhere he tells something of the trouble he takes in the selection of models and location, the choice and arrangement of "props", the long wait - or rush, as the case may be - to catch the light just as he requires it for his purpose, the mental strain which accompanies the physical effort of a prolonged session. Unintentionally, too, he pays a considerable tribute to the Rolleiflex when he revels that all the pictures in this most notable selection were made by that versatile little camera.

Champorcher, Lassù gli Ultimi 2008, cm.32x30, pp.160, illustrato a colori. legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Cofanetto. Testo Italiano, Inglese e Francese. Sei colori: sono quelli che la natura, con i suoi mutevoli aspetti, ci propone. Il bianco della neve, il giallo del fieno maturo, il verde dei prati estivi, il rosso dei tramonti o dei fulmini, il blu del cielo o dei laghetti alpini, il marrone dei boschi autunnali. Le immagini, accompagnate dai testi di Adolfo Pascariello, ci accompagnano nell'avvicendarsi delle stagioni.