L'autre sommel.

Unica traduz. autorizzata dal francese di Libero De Libero. Milano, Arnoldo Mondadori Editore 1946, cm.15x21, pp.196,(4), brossura, cop. fig. con bandelle. Coll. Arianna - Diari, Memorie, Epistolari. Prima ediz. italiana.

Traduz.di Arturo Tofanelli. Milano, Edizioni Club degli Editori Mondadori Ed. 1972, cm.13,5x21, pp.IX,311, legatura editoriale. Coll.'900. Narrativa,123.

Traduz. di Donatella Ziliotto. Milano, Serra e Riva Editori 1981, cm.12,5x20,5, pp.93,(3), brossura, sopraccoperta fig. Coll. Biblioteca del Minotauro, 17.

Traduz. di Vittorio Sereni. Saggio introduttivo di Walter Benjamin. Milano, Longanesi 1986, cm.14,5x21,5, pp.274, legatura editoriale cartonata. Collana La Gaja Scienza,173.

A cura di Guido Ceronetti. Torino, Einaudi Ed. 1967, cm.14x22, pp.303, legatura ed. sopraccop.fig.a col. Coll.I Millenni.

Cpg Inc 1995, cm.24x30, pp.257, quaderno ad anelli.

Robbie Williams' 3rd album release, Sing When You're Winning, carrying on his continuing success, this album is full of iconic bouncing pop tunes. This book contains the authentic note-for-note transcription of the album. This arrangement is for piano, vocals and guitar in standard notation, chords and diagrams, the book also features full lyrics and a transcribed vocal melody. Piano,vocal,guitar. Wise 2006, cm.23x30, pp.72, brossura fig.col.

London, MacMillan Press 1992, cm.13,5x21,5, pp.198, brossura copertina figurata a colori. Coll.Modern Novelists. This re-reading of Hemingway's work makes selective use of contemporary theory to explore four key areas. An analysis of Hemingway's impressionistic style shows how it operates as a response to the static and harmful conditions of modernity. The second chapter argues that a recognition of coherent subjectivity as a myth vies in the fiction with an urge to represent the self as autonomous. The third chapter looks at the instabilities of sexual and gender roles in Hemingway. The final chapter examines the sense of geography in the work with reference to America, Spain and Africa. It ends with a revisionist reading of "The Short Happy Life of Francis Macomber". By the author of "New Readings of the American Novel".