After Hours for Clarinet and Piano.

With piano accompaniements. Harlow, Faber Music Pub. s.d. cm.22,5x30,5, pp.12,19, fascicolo spillato.

Faber Music, 2004, Book+CD cm.22,5x30,5, pp.32, brossura Following on from the very successful After Hours piano volumes, Pam Wedgwood has now penned eight atmospheric pieces for the intermediate trumpet player. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam's highly acclaimed Jazzin' About series.The book contains piano accompaniments, but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic 'live' instrument for those players who choose to play along with this version of the backing.

Faber Music, 2004, Book+CD cm.22,5x30,5, pp.24, brossura Pam Wedgwood's After Hours For Alto Saxophone And Piano presents eight atmospheric, original pieces for the intermediate saxophonist with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam's highly acclaimed Jazzin' About Series. The book contains piano accompaniments, but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic 'live' instrument for those players who choose to play along with this version of the backing.

Verona, Palazzo Forti, 10/7-14/11/1993. A cura di Giorgio Cortenova. Milano, Mazzotta Ed. 1993, cm.23x27, pp.265, 91 tavv.a col.e num.ill.e tavv.bn.nt. brossura cop.fig.a col.

Venezia,Ca'Pesaro,27/6-25/10/1959. Venezia, Ediz.Alfieri 1959, cm.15,5x21,5, pp.XXXIV,223, 235 illustrazioni e tavole bn. fuori testo, brossura con sopraccoperta figurata.

Museo di Milano,12/9-6/10/1985. Pisa, Pacini Ed. 1985, cm.22x29,5, pp.13, 39 tavv.bn.e col.ft. legatura ed.soprac.fig.a col.

CPP/Belwin. 1994, cm.22,5x30,5, pp.32, brossura Guitar Tab Edition. Standard notation and tablature. Motown's greatest transcribed in standard notation and tablature. Each arrangement includes essential instrumental figures, horn and string cues. Eleven hits including: Ain't No Mountain High Enough (Marvin Gaye & Tammi Terell) * Baby, I Need Your Loving (Four Tops) * Bernadette (Four Tops) * For Once in My Life (Stevie Wonder) * I Heard It Through the Grapevine (Marvin Gaye) * I'll Be There (Jackson 5) * I'm Losing You (The Temptations) * My Girl (The Temptations) * Ooo, Baby, Baby (Smokey Robinson & The Miracles) * Papa Was a Rollin' Stone (The Temptations) * What's Going On (Marvin Gaye).