Lanaro.

Traduz.in inglese di Brenda Balich. Treviso, Canova 1975, cm.22x23, pp.165, 124 figg.bn.nt. legatura ed.in tutta tela, sopracop.fig.a col. Ediz.con testo a fronte in inglese.

Bergamo, Istituto Italiano d'Arti Grafiche 1959, cm.18,5x21, pp.44, 100 figg.bn.e a col.ft. legatura ed.in tutta tela, sopracop.fig.bn.

Milano, Fabbri Ed. 1967, cm.25x30, pp.100, legatura editoriale con con sopraccoperta figurata a colori. Coll.Mensili D'Arte.

Limena (PD), Offset Invicta per Cassa di Risparmio di Padova e Rovigo 1970, cm.31x35, pp.(2),31,(5), 12 tavv. a col.ft.in appendice, legatura ed.in tutta tela, titoli in oro al piatto ant. e al dorso, cofanetto telato. (dorso e cofanetto lievemente sbiaditi.)

Roma, Edizioni dell'Ateneo 1981, cm.15x21,5, pp.144, brossura Stato di nuovo. Coll.di Cultura,34.

Koln, Taschen 2008, cm.30x42, formato albo. pp.592, centinaia di figure bn.e a colori nel testo, legatura editoriale in mz.tela. An in-depth exploration of Bergman’s complete works. On November 24, 2008 The Ingmar Bergman Archives editors Paul Duncan and Bengt Wanselius won the August Prize 2008 for the Best Non-Fiction Book published in Sweden. This is the most prestigious literary prize in Sweden, voted for by booksellers and librarians throughout the country. The complete works of Ingmar Bergman: an homage to one of the most esteemed film and theater artists of all time, began in cooperation with Bergman himself and made with full access to his archives. Since 1957, when he released The Seventh Seal and Wild Strawberries, Ingmar Bergman has been one of the leading figures in international cinema. In a career that spanned 60 years, he wrote, produced, and directed 50 films that defined how we see ourselves and how we interact with the people we love, in films like Persona, Scenes from a Marriage, and Fanny and Alexander. Before his death in 2007, Bergman gave TASCHEN and the Swedish publishing house Max Ström complete access to his archives at The Bergman Foundation, and permission to reprint his writings and interviews, many of which have never been seen outside of Sweden. Picture researcher Bengt Wanselius, who was Bergman’s photographer for 20 years, scoured photo archives all over Sweden, discovered previously unseen images from Bergman’s films, and selected unpublished images from the personal archives of many photographers. Text editor Paul Duncan gathered a team of Bergman experts as contributing editors—Peter Cowie and Bengt Forslund (for film/TV), and Ulla Åberg & Birgitta Steene (for theater)—who have researched and written a narrative that, for the first time, will combine all of Bergman’s working life in film and theater. Such is the depth of Bergman’s writings that most of the story is told in his own words.

Il facsimile è accompagnato da un volume di oltre 600 pagine, nel quale è riproposto l'intero testo del Decameron accompagnato da saggi di commento. Testi di F.Toniolo. M.Cursi. T.Nocita. Riproduzione integrale del manoscritto Holkham mise. 49, conservato a Oxford, presso la Bodleian Library. Roma, Treccani 2013, cm.26,5x35,6, pp.340, (172 carte) num.carte miniate, capilettera e iniziali. legatura in velluto di seta rosso, piatto anteriore con impressione in oro; capitelli in cotone e oro, realizzati a mano; Tiratura mondiale di 599 copie numerate a mano. Il libro è stampato su carta pergamenata Luxor delle cartiere Fedrigoni, oro a spruzzo sui tre lati del taglio; custodito in una "scatola-libro" con coperchio a incastro e inserimento dall'alto, rivestita in in piena pelle. Nostro 483/599.

Prefazione di Giulio Andreotti. Milano Editoriale del Drago 1992, cm.23x29,5, pp.254, legatura editoriale, titoli e fregi al piatto ed al dorso.