Contacts

Retrospective Exhibition by Centre Georges Pompidou. Traducción de Marga Latorre. Barcelona-Madrid, Lunwerg Editores 2005, cm.24,5x34, pp.380, centinaia di figure bn.e a colori nel testo, legatura editoriale cartonata , sovraccop. figurata. Ediz.in lingua spagnola.

Brevissima introduzione in francese. Edizione numerata in 100 esemplari. Nostro esemplare non numerato /100. Delpire Editeur 2008, cm.43x35, formatro albo. pp.98, 38 tavole a colori. legatura alla francese, con volume con dorso telato e custodia /legatura rigida figurata.

PowerHouse Books 2004, cm.28,5x36, pp.circa 80, ill.col. Hardcover. he idea for Fall came to photographer Christopher Griffith while he was living in a Manhattan brownstone, finalizing the design for his first monograph, States (powerHouse Books, 2000). “It was mid-November,” Griffith recalls, “and the ivy on the side of my building seemed to be literally glowing outside my window. I picked a single leaf off the vine and saw that, dependent upon the angle of light and the position of the leaf, I could see the most incredible texture and color through the leaf.” Excited by this discovery, Griffith spent the next couple of days

Aquarelles de Daniele Bonnet. Aosta, Musumeci Ed. 2019, cm.28,5x28,5, pp.circa 200 di tavole fotografiche a colori. legatura editoriale, copertina fig.a colori. Depuis toujours, l’Aigle royal me transperce de son regard, me berce de son vol majestueux, me captive par son côté prédateur. Mes premières rencontres imprévues suivies de nombreux repérages, observations et affûts au fil des années ont contribué à l’évolution d’une véritable histoire d’amour et de fascination envers ce majestueux rapace, emblème de nos massifs montagneux. Tout au long de l’année, l’Aigle royal obsède mon regard et mon objectif.

Testo di Eric Linklater. Stoccolma, Almqvist & Wiksell 1964, cm.25,5x33, pp.78, con numerossissime foto sia a colori che in bianco e nero. Legatura editoriale sovracopertina figurata a colori.

--Photographs Michael Chinnici. --Foreword copyright Leonor Anthony. --Prologue copyright Rocio Montes Serrano. --Text copyright Michael Chinnici. New York, Red Octopus 2021, cm.33x31,5, pp.348 illustrazioni a colori, legatura editoriale in tutta tela argento con tavola a colori applicata. English and Spanish Edition. Signed by Michael Chinnici. VANISHING CUBA is a visual storytelling book by American photographer Michael Chinnici. The collection depicts the changes Cuba faces as it emerges from more than 60 years of isolation and decay. Michael's 24 trips to Cuba have yielded tens of thousands of photographs, thought-provoking, and emotional stories, and created lifelong friendships. Vanishing Cuba is about capturing the past, present, and future of Cuba, and even more so, about capturing the "Soul of Cuba". Michael's love affair with Cuba and the Cuban people clearly comes through in this compelling and beautifully produced book. This long-awaited large-format coffee table book features over 300 images. Each beautifully handcrafted book is produced with stories in both English and Spanish, with Cuban friends helping guide the narrative. Michael's style of photography captures the Soul of Cuba in the most authentic, endearing, beautiful, and honest light.