Il cinema nella storia.

Pisa, Nistri-Lischi 1953, cm.17x24, pp.414, num.figg.bn.ft. brossura

Introduzione e bibliografia aggiornata di Siro Ferrone. Storia e testo a cura di Vito Pandolfi. Firenze, Casa Editrice Le Lettere 1988, 6 voll., completo, cm.17,5x25, brossura intonso. Collana Nuovi Testi e Rari,IV-IX. Ristampa anastatica dell'ediz.Sansoni Antiquariato,1955. Vol.I: Elementi costitutivi. Zanni, Magnifico, Capitano, pp.388, 29 facsimile su 24 tavv.ft.; Vol.II: Dottore, Gli innamorati, Componimenti teatrali dei comici, Verso l'opera buffa, Appendici, pp.342, 39 facsimile su 24 tavv.ft.; Vol.III: Le commedie mimiche, L'arte comica e la Chiesa, pp.476, 34 facsimile su 24 tavv.ft. Vol.IV: La poetica, Goldoni e Gozzi, pp.464, 36 facs.su 24 tavv.ft.; Vol.V: Due secoli a Parigi, Gli scenari dell'arte, Appendici, pp.448, 116 facsimile su 34 tavv.ft.; Vol.VI: Conclusione, indici, pp.180.

Bologna, Fenice del Teatro 1956, cm.15x22,5, pp.XL,708, legatura ed.in tutta tela.

Bologna, Cappelli 1973, cm.11,5x19, pp.244, brossura con cop.fig. Collana Universale.

A cura di M.Marrese e dell'Ist.Naz.di Studi sul Rinascimento. Firenze, Olschki 1996, cm.17x24, pp.XXXIV-270, brossura Collana Studi e Testi.

Cambridge, The MIT Press, Massachussets Institure of Technology 1971, cm.22,5x18,5, pp.56, 64 illustrazioni in bianco e nero, brossura con copertina figurata. Classical architecture is a visual "language" and like any other language has its own grammatical rules. Classical buildings as widely spaced in time as a Roman temple, an Italian Renaissance palace and a Regency house all show an awareness of these rules even if they vary them, break them or poetically contradict them. Sir Christopher Wren described them as the "Latin" of architecture and the analogy is almost exact. There is the difference, however, that whereas the learning of Latin is a slow and difficult business, the language of classical architecture is relatively simple. It is still, to a great extent, the mode of expression of our urban surroundings, since classical architecture was the common language of the western world till comparatively recent times. Anybody to whom architecture makes a strong appeal has probably already discovered something of its grammar for himself. In this book, the author's purpose is to set out as simply and vividly as possible the exact grammatical workings of this architectural language. He is less concerned with its development in Greece and Rome than with its expansion and use in the centuries since the Renaissance. He explains the vigorous discipline of "the orders" and the scope of "rustication"; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the "modern" architecture of today. The book is intended for anybody who cares for architecture but more specifically for students beginning a course in the history of architecture, to whom a guide to the classical rules will be an essential companion.

Splendide illustrazioni a piena pagina, fuori testo, di Tony Bastos a carattere erotico-pornografico. Paris, Presso l'Autore 1973, cm.17,5x24,5, pp.238, 103 tavole bn. e 1 a colori per la copertina. Brossura editoriale e con alette, titoli e illustrazione applicata al piatto anteriore, fregi al dorso. Curiosa opera, molto rara, stampata su carta forte in pochi esemplari. Esemplare i ottimo stato di conservazione.

9783822834664 Photos Gianni Basso, Vega MG. Koln, Taschen 2004, cm.14x22, pp.192 ill.a colori. brossura con copertina figurata a colori. Collana Icons.