Giocavamo per la strada.

Firenze, Bonechi Editore 1974, cm.20x27, pp.336, numerose illustrazioni in bn.anche a piena pagina , legatura ed.in similpelle.

Firenze, Vallecchi Ed. 1963-5, cm.17x24, pp.472, 154 figure bn.e 12 tavole a colori fuori testo legatura editoriale.

Foto di Andrea Innocenti. Firenze, Bonechi Ed. 2000, cm.14,5x22, pp.159, 16 tavole a col.ft. brossura copertina figurata a colori.

Firenze, Vallecchi Editore 1964, cm.12,5x18,5, pp.232, 36 ill.in 32 tavv.in bn.ft., brossura, copertina figurata a colori Coll.Economica,4.

Traduz.di Elena Malossini Fumero. Milano, Sperling & Kupfer 1999, cm.14x22, pp.XIII,241, brossura cop.fig.a col. Coll.Esperienze Paperbac,13.

September 1—30, 2000. Text in French by Alexis Kugel, in collaboration with Rudolf Distelberger and Michèle Bimbenet-Privat. Paris, Kugel 2000, cm.22x31, pp.226 illustrato a colori. legatura editoriale in tutta tela, sopraccoperta figurata a colori. he ambition of the exhibition “Joyaux Renaissance” was to rediscover the field of Renaissance jewels, in collaboration with Dr Rudolf Distelberger, Assistant Director of the Kunstkammer du Kunsthistorisches Museum in Vienna, and Michèle Bimbenet-Privat, Chief Curator in France. These jewels, from the 13th century to the end of the 17th century, are sometimes subtle and delicate, and sometimes ostentatious, composed of elaborate emblems, with architectural, animal or vegetal forms, a profusion of enameled gold with dazzling colors, Baroque pearls or diamonds. These jewels are the reflection of the persons who ordered them and show their personality. Made of precious materials, they were the powerful and princes’ privilege and punctuated their life: christening medals, wedding necklaces, clothes ornaments, crosses…