René Magritte. Catalogue Raisonné. III: Oil Paintings, Objects and Bronzes 1949-1967.

Calamandrei, Capitini, Ginzburg, Mondolfo, Salvemini... Firenze, Passigli Editore 1984, cm.14,5x21, pp.299, brossura con bandelle. Coll.Il Filo Rosso,4.

Translated from German by Erika Pauli. Milwaukee (WI), Gareth Stevens Publishing 2006, cm.17x24, pp.32, interamente illustrato a colori, legatura ed.cartonata, cop.fig.a colori. [copia come nuova.] Coll.What Makes a Masterpiece?

Padova, Rebellato 1968, cm.15,5x21,5, pp.325,(3), brossura Dedica autogr. dell'A. e dell'Ed. ad Alessandro Parronchi. Coll.Biblioteca di Cultura Contemporanea, 2. "Raccolgo ui una serie di articoli, conversazioni ed interventi, relativi al periodo 1963-1967, sui problemi e sui testi che mi sono parsi fra i più vitali, in senso positivo o negativo, dell'attuale stagione poetica." (dall'Introduz.dell'A.)

Foreword by Steven Helter. Koln, Taschen 2022, cm.20x26, pp.397, ill.bn. legatura editoriale cartonata, Ediz. inglese, francese e tedesca. Fritz Kahn (1888-1968) was a German doctor, educator, popular science writer, and information graphics pioneer. Chased out of Germany by the Nazis, who banned and burned his books, Kahn emigrated to Palestine, then France, and finally the United States to continue his life's work. In this new edition, TASCHEN celebrates Kahn as a creative genius, particularly adept at the visualization of complex scientific ideas. In such works as Man as Industrial Palace, we see how Kahn deployed vivid visual metaphors to demystify science and how his concepts have influenced generations of scientific illustrators, visual communications specialists, and infographic artists through to today. The book features more than 350 illustrations with extensive captions, three original texts by Fritz Kahn himself, a foreword by Steven Heller, and an essay about Kahn's life and oeuvre.