Giambattista Tiepolo. La sua vita, la sua arte.

Milano, Comunità 1983, cm.17,5x24,5, pp.292, 137 tavv.bn.e 20 tavv.a col.nt. legatura editoriale con sovracopertina figurata a colori.

London, Pitkin Pictorials 1964, cm.18x22,9, pp.32, 58 ill. in bn.nt., fasc.con 2 punti metallici, cop.fig.a colori. [ottimo esemplare.]

Pimlico 1997, cm.19x24,5, pp.498, brossura copertina figurata a colori. This fresh penetrating and beautifully illustrated study is part history, part guide and part celebration. Michael Levey surveys the physical evolution and enhancement of Florence over the centuries, from medieval republican times to the beginning of the nineteenth century. While discussing artefacts of all kinds - a cameo or reliquary no less than great buildings and other major works of art -he also considers some of the chief personalities who have contributed to the physical appearance of the city we see today. Renaissance Florence is a familiar phenomenon, given its due place in stimulating, detailed discussion here. But much less well known is the city which developed onwards from the late sixteenth century, which the author warmly champions, with its own great, sometimes opulent artistic achievements. In this magnificent book, the famous and apparently familiar emerges with new vividness and clarity to

Cum aliis antiquioribus in appendice additis, iudicio historico collecta ac digesta curantibus C.Zonta, I.Brotto. Padova, Ed.Antenore 1970, cm.17x25, pp.XII,356, brossura a fogli chiusi. Coll.Fonti per la Storia dell'Università di Padova,5.

A cura di F. Del Punta, B. Faes de Mottoni e C. Luna. Firenze, Olschki Ed. 1998, cm.18x25,5, pp.XXVIII-596, legatura in imitlin,titoli in oro al dorso. Coll. Corpus philosophorum medii aevi - Testi e studi, 14. Il volume descrive 97 manoscritti di opere di Egidio Romano (m.1316) conservati in 42 biblioteche italiane e porta a compimento il censimento di tutti i manoscritti egidiani conservati in Italia. Gli indici (manoscritti, opere di Egidio Romano, 'incipit', This catalogue contains the analytical description of 97 manuscripts of Giles of Rome’s works in 42 Italian libraries thus completing the census of all the Giles’ manuscripts conserved in Italy. The indexes (manuscripts, Gile’s works, 'incipit', names, an