I Preraffaelliti.

Roma, Ist.Poligrafico e Zecca dello Stato- Archivi di Stato 1995, cm.20x28, pp.XXXVII,1020, legatura ed.in relutan, titoli in oro al piatto ant.e dorso. Coll.Cento Libri per Mille Anni. Coll.diretta da W.Pedullà.

Milano, Feltrinelli 1988, cm.12x19, pp.240, brossura cop.fig.a col. Coll.Universale Economica.

Varese, Mursia 1977, cm.13x21,5, pp.276, brossura. Coll.Civiltà Letteraria del Novecento. Saggi,18. Seconda edizione ampliata.

Milano, F.lli Fabbri Ed. 1966,1984, cm.13,5x19, pp.157, 67 tavole a colori nel testo, legatura editoriale cartonata, titoli e fregi in oro al dorso. Coll.Elite. Le Arti e gli Stili in Ogni Tempo e Paese,30.

Firenze, Nuovedizioni Vallecchi 1985, cm.19x20, pp.69, 46 tavv.a col.nt. brossura cop.fig.a col.

Presentaz.di Leonardo Borgese. Milano, Silvana Editoriale sd.ma anni '70, cm.21,5x30, pp.23, 63 tavv.bn.ed una a col.ft. legatura ed.cop.fig.a col.

Howell Book House 1994, cm.15x23, pp.XVIII,304, paperback. his book is written and illustrated for youngsters who want to learn to ride, especially those who are members of the U.S. Pony Clubs, Inc. and want to meet the USPC's Standards of Proficiency. If you are that youngster, you will be able to read this book on your own. It will show you how to become a careful, thoughtful rider and how to communicate with and understand your pony. Some sections, however, are meant to be read by an adult (a parent or riding instructor), so you can get the extra help you may need to reach your goals. By the time you have read this book you will know a lot about: * riding in a ring and in the open * beginning jumping * pony care and handling * safety * having fun and meeting challenges You will also feel good knowing that you are on your way to being a horseman and not just a rider.

Selected by Edmund V. Gillon Jr. New York, Dover Publications 1969, cm.20x28, pp.90, numerose illustrazioni bn. nel testo, brossura con copertina figurata a colori. In its early years, The Studio (published monthly in London from April 1893 until well into the twentieth century) was one of the major media for the development of Art Nouveau styles. It was probably more responsible than any other publication for the acceptance of Art Nouveau by the public, and as it progressed it remained the most outstanding vehicle of Art Nouveau illustration. It also had a tremendous influence on American artists and illustrators of the period. In addition to art competitions, featured articles on contemporary artists and on topics like photography, and portfolios of the work of new and unknown artists, it presented over a period of years a superb and comprehensive survey of Art Nouveau illustration by virtually every British and Continental artist of the period. The selection in this volume includes both the best and the most typical in Art Nouveau. The 199 illustrations are mostly graphic arts material: book covers, posters and advertisements, title pages and end pages, bookplates, menus, Christmas cards, decorative alphabets, engraved and decorated poems, and a variety of designs and patterns. The artists include Walter Crane, Aubrey Beardsley, Will Bradley, A. A. Turbayne, Enid Jackson, R. Anning Bell, R. M. Bradley, Jessie King, Mabel Syrett, J. D. Batten, and many others. Although the book is intended primarily to be a file for commercial artists and designers, it serves the less specialized reader admirably as a survey of the various graphic styles of Art Nouveau