Masters of piano program music. A guide to style and interpretation.

Van Nuys, Alfred Publishing 1986, cm.23x30,5, pp.64, brossura cop.fig. Coll.2503. An excellent collection in Hinson's At the Piano Series. Contains many of his most popular Mazurkas, Preludes, Waltzes, Nocturnes--plus others! Includes informative biographical information and performance suggestions for each work.

Van Nuys, Alfred Publishing 1987, cm.23x30,5, pp.64, brossura cop.fig. Coll.2698.

Van Nuys, Alfred Publishing 1986, cm.23x30,5, pp.64, brossura cop.fig. Coll.2484. An excellent collection in Hinson's At the Piano Series. Contains many of his most popular Mazurkas, Preludes, Waltzes, Nocturnes--plus others! Includes informative biographical information and performance suggestions for each work.

Van Nuys, Alfred Publishing 1990, cm.23x30,5, pp.64, brossura cop.fig. Coll.299.

A cura di A.Dammarco. Roma, 1970, cm.12,5x21, pp.XII,235, 2 ill.bn.ft. brossura sopracop.

Oxford, Blackwell Publishers 2001, cm.17x24,5, pp.XX,383,(5), brossura, cop.fig.a col. [eccellente esemplare] First edition.

Firenze, Olschki Ed. 2012, cm 17 x 24, xx-242 pp. con 96 figg. n.t. Biblioteca dell'«Archivum Romanicum» - Serie I: Storia, Letteratura, Paleografia, 393. Inglese L’opera del poligrafo senese Teofilo Gallaccini (1564-1641) costituisce un archivio privato pressoché integro riguardante le scienze, l’architettura e le arti, la medicina e le lettere. L’autrice esamina il suo pensiero sullo sfondo degli eventi contemporanei e le tematiche con cui interagì – dalle scoperte astronomiche di Galileo al dibattito artistico nella Roma di Urbano VIII e Alessandro VII. Ingegno poliedrico, Gallaccini getta luce sul lavoro intellettuale e i suoi ambiti all’alba della Rivoluzione scientifica. Teofilo Gallaccini’s (1564-1641) oeuvre represents a nearly intact personal archive covering the sciences, architecture and the arts, medicine and letters. This book examines his thought against the panorama of contemporary events and issues with which he interacted closely – from the astronomical discoveries and condemnation of Galileo to the artistic debates in the Rome of Urban VIII and Alexander VII. A «go-between» disciplines Gallaccini illuminates the nature of intellectual labor and its sites on the eve of the Scientific Revolution. / Teofilo Gallaccini’s (1564-1641) oeuvre represents a nearly intact personal archive covering the sciences, architecture and the arts, medicine and letters. This book examines his thought against the panorama of contemporary events and issues with which he interacted closely – from the astronomical discoveries and condemnation of Galileo to the artistic debates in the Rome of Urban VIII and Alexander VII. A «go-between» disciplines, Gallaccini illuminates the nature of intellectual labor and its sites on the eve of the Scientific Revolution.

Edited with an Introduction by Samuel Holt Monk. London, Oxford University Press 1965, cm.13x20,5, pp.XXX,317,(5), legatura ed. in tutta tela, titolo in oro al dorso.