French Drawings: Masterpieces from Five Centuries. A loan exhibition organized by L'Association Française d'Action Artistique and circulated by the Smithsonian Institution, 1952-1953.

Amsterdam, Rijksprentenkabinett, 8 November 1975 - 1 Februari 1976. Amsterdam, Rijksmuseum 1975, cm.15x22,2, pp.90,(2), 40 ill.in 30 tavv.in bn.ft. in append., brossura (minimi segni d'uso alla copertina.)

Organized by the Pro Helvetia Foundation; Circulated by the Smithsonian Institution, 1967-1968. Washington, D.C., Smithsonian Institution Press 1967, cm.19x25, pp.176, 126 ill. e tavv. a un col.ft., brossura, cop.fig. [buon esemplare.]

Musee Picasso, Chateau gfrimaldi, Antibes. 1983, cm.24x22, pp.104, ill.a colori. brossura con copertina figurata a colori.

London, Walpole Gallery, 28 June - 28 July/4 - 9 September, 2000. Edited by Ferdinando Peretti. Società Editrice Umberto Allemandi & C. 2000, cm.21x30,5, pp.108, 36 plats in colours in the text. paperback. The thirty-six works in THE SETTECENTO IN VENICE reflects the sparkling Venetian sensibility so influential in the artistic development of Europe. Throughout the 18th century Venice had been losing the solid economic and political power acquired during the glory of the previous centuries. The Settecento was an age of economic decline, but with an incredible artistic fervour supported by the painting tradition from the 15th century onwards. With the support of a tolerant government, and a benevolent cosmopolitanism, Vencie lived the last and most suggestive time of its millennium vicissitude: 'this was the mighty roar of an old lion'."