Elementi di linguistica generale.

Introduzione e traduzione di Giovanni Caravaggi. Torino, Einaudi 1968, cm.16x21,5, pp.XVIII,358, brossura Coll.Nuova Biblioteca Scientifica,22.

Introduz.di L.Heilmann. Traduzione di giovanna Madonia. Bologna, Casa Ed.Il Mulino 1971, cm.14x21,5, pp.228, legatura ed. sopraccop. Collezione di Testi e di Studi.

Bergamo, Sede dell'Ateneo, 24 ottobre 1998. Presentazioni di G.Gambarelli, G.Mirandola, G.G.Vertova, U.Zanetti. Bergamo, Edizioni dell'Ateneo 1999, cm.17x23,7, pp.134,(2), brossura, cop.fig.a colori. Coll.Quaderni dell'Ateneo di Scienze, Lettere e Arti di Bergamo.

Design and artwork by Giancarlo Gatti, Morena Ceriotti. Translation by Peter M.D. Panton. Edizioni Fondazione Nazionale Carlo Collodi 2016, cm.24x30, pp.202, ill.a col. legatura editoriale copertina cartonata figurata a colori. The Only full text edition.

Westport, London, Greenwood Press 1982, cm.15,5x23, pp.XVI,268, legatura editoriale in tutta tela. The Dictionary of Literary-Rhetorical Conventions is an unusual reference in that it is also an anthology of critical of critical essays. It contains 68 entries, ranging from acrostic' to vulgar language, ' and from one paragraph to ten pages, defining literary terms (genres, verse forms, and other verbal conventions) as they were used in the Renaissance. . . . The The research evidenced in these historical essays is substantial. . . . There are two useful appendices. The first lists modern literary terms matched with relevant essays on Renaissance terms. . . . The second appendix provides a useful list of categories for the particular terms under consideration. . . . The index is meticulous and detailed, with ample cross-referencing and careful subdivisions of topics. . . . The Dictionary can be of both use and delight to the researcher in Renaissance literature. Accurate and thorough in its scholarship, lucid and concrete in its style, it is one of those rare reference works that can be actually read, not merely referred to.

Traduzione di Greti Ducci. Introduzione di Vito Amoruso. Milano, Rizzoli 2010, cm.10,5x17, pp.136, brossura copertina figurata a colori. Collana Bur, 996.