I vetri.

Milano, Gruppo Editoriale Fabbri 1982, cm.22x29,5, pp.147, num.figg.bn.e a col.nt. legatura ed., cop.fig.a col. Coll.Antiquariato. Arti Decorative.

Firenze, Fratelli Alinari 1984, cm.16x23,5, pp.30 circa, num.tavv.bn.nt. brossura cop.fig.

Traduz. di Elena Gambini e Irene Roseo. Novara, Istituto Geografico De Agostini 1985, cm.13,5x20,5, pp.223,(1), alcuni disegni in bn. e numerose tavv. a colori nt., legatura ed. in tutta tela, titoli in oro al piatto ant. e al dorso, sopraccoperta fig. a colori. Coll. Impariamo a Conoscere...

Wheelock, Arthur K. Peter C. Sutton, Volker Manuth, Anne T. Woollett , NAional Gallery of Art Washington in Association with The University of Chicago Press. 2005, cm.22x27, pp.152, ill.a colori. legatura editoriale cartonata,in tuta tela, sopraccoperta figurata a colori. One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life--when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace--these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together