Outline of the Toshogu Nikko.

Fotografie di Elio Ciol. Schede per le illustraz.di Luciana Bros. Pordenone, Grafiche Editoriali Artistiche Pordenonesi 1984, cm.24x31, pp.496,154 ill.nt.a p.pag.e 28 figg.nt., legatura ed.in tutta tela, sopracop.fig.a col.

A cura di Valeria Leoni. Roma, Ist.Poligrafico e Zecca dello Stato- Archivi di Stato 1999, cm17x24, pp.100, brossura Coll.Quaderni della Rassegna degli Archivi di Stato,87.

Versione e presentazione di Ruggero Jacobbi. Torino, Edizioni di il Dramma, SET 1943, cm.15x21, pp.126,(2), brossura, cop.fig.a col. con bandelle. [buon esemplare] Coll. Teatro. Prima Serie, vol.VI.

Astar Publishing 2022, cm.28x37, pp.300 ill.col. Silk cloth bound The Mosque in Mecca, arranged around the central Ka’ba, is the holiest site in Islam. Mecca is the birthplace of the Prophet Mohammed. The city of Mecca has grown over the centuries like its counterpart, Madinah. Mecca now accommodates as many as tens of thousands of pilgrims in a single day. The site is the point of pilgrimage to which pilgrims travel from across the world in the annual Hajj, a key point in Islamic spiritual life. The Ka’ba is a symbol of unity, a structure of the greatest geometrical simplicity containing a single door. It is, however, considered to be feminine in gender and is draped in a covering of black cloth known as Al Astar to protect its modesty. This cloth, woven with gold, is replaced every year with a special ceremony. On this one day, the Ka’ba is left exposed and unveiled. Adel Alquraishi, a Saudi photographer from Riyadh, had established his reputation with the authorities of the Great Mosque in Mecca with his work on the Guardians of the Mosque in Madinah, published in 2020 as The Guardians. In parallel with that book, the authorities allowed Adel Alquraishi to photograph the Ka’ba, the epicentre of Islam, in its undraped state.