The Monastery.

Traduction de M.Defauconpret. Paris, Furne Ed. 1832, 3 voll. cm.13,5x21,5, pp.396,466,504, con 1 carta geogr.ripieg. brossura

A cura di Enrica Villari. Traduzione di G.Sacerdoti. Torino, Bollati Boringhieri Ed. 1991, cm.13x19, pp.XVII,113, brossura cop.fig.a col. Coll.Universale. L'Età Moderna,3.

With an introduction and bibliography. Ware, Wordsworth Ed. 1995, cm.12,5x20, pp.X,758, brossura cop.fig.a col.

Introduction by P.G.Maxwell-Stuart. London, Wordsworth Editions 2001, cm.13,5x21,5, pp.239, brossura cop.fig. Coll.Myth, Legend and Folklore.

Pubblicaz.dell'Ist.di Studi Micenei ed Egeo Anatolici. Roma, Ediz.dell'Ateneo 1975, cm.19x27, pp. 67 tavv.ft.2 depliants,2 carte geogr., legatura ed. sopraccoperta. Coll.Incunabula Graeca.vol.XV*

Firenze, Edifir 2015, cm.24x28, pp.240 ill.bn.e a colori. brossura copertina figurata a colori.

Written in french by two swedish gentlemen, translated into english by Thomas Nugent L.L.D. and fellow of the sociey of antiquaries. London, Printed for L.Davis and C.Reymers, printers to the Royal Society 1769, 2 volumi. cm.13,5x20,5, pp.XI,444 (4),IV,394 (12), legature in tutta pelle, titoli e fregi ai dorsi, tagli rossi. First english edition. Although it is stated on the title-page that the authors were Swedish, in fact the author was Pierre Jean Grosley, the prolific French writer known for his erudition and insights. His "Observations on Italy" (originally published in French in 1764) is his most important work. Along with being an excellent account of Italy, Grosley also demonstrates within it through his descriptions of his countrymen in Italy, many foibles and vanities which are part of the French character. It is suggested by Nugent that by claiming the authors to be anonymous travelers from Swedish, the French public would accept the this criticism more easily than if it came from a Frenchman. It has also been suggested that as a travel narrative it would be considered of greater value if the travelers were from somewhere farther away. Sections within the book relative to the article of Venice, and the Sacred panegiric of the seraphic father Saint Francis were by Francesco da S. Augustino Macedo and had originally been printed in Padua. There is also a comparative history of Italian and French music; an essay which "fell into my hands" according to the "Editor."

Cambridge University Press 2014, cm.16x23,5, pp.X,272, legatura editoriale cartonata con sopracoperta figurata a colori. This book seeks to restore Homer to his rightful place among the principal figures in the history of political and moral philosophy. Through this fresh and provocative analysis of the Iliad and the Odyssey, Peter J. Ahrensdorf examines Homer's understanding of the best life, the nature of the divine, and the nature of human excellence. According to Ahrensdorf, Homer teaches that human greatness eclipses that of the gods, that the contemplative and compassionate singer ultimately surpasses the heroic warrior in grandeur, and that it is the courageously questioning Achilles, not the loyal Hector or even the wily Odysseus, who comes closest to the humane wisdom of Homer himself. Thanks to Homer, two of the distinctive features of Greek civilization are its extraordinary celebration of human excellence, as can be seen in Greek athletics, sculpture, and nudity, and its singular questioning of the divine, as can be seen in Greek philosophy.