Cronache e immagini di una città (1900-1936).

Fotografie di Giulio Veggi. Vercelli Edizioni White Star 1992, cm.26,7x23,7 (oblungo), pp.93,(3), interamente illustrato con tavv. fotogr. a colori anche su doppia pagina, legatura ed. cartonata, piatti figg. a colori, titoli al piatto ant. e al dorso.

A cura di Gino Tellini. Milano, Ugo Mursia Editore 1988, cm.14x21, pp.LXXIV,1678, legatura ed.in balacron, titoli e cornici in oro al dorso, sopraccop.trasparente, in custodia. Coll.I Classici Italiani.

Lithographs and Diaries by David Roberts R.A. Photographs by Antonio Attini. Swan Hill Press 1996, cm.26x36, pp.270 ill.a colori. legatura editoriale cartonata con sopraccoperta. This book shows the before and after of these ancient sites after excavation as never seen before. The wonderful and romantic images from David Roberts as were first seen when he travelled to Egypt, are contrasted with current photographs of the same sites. Although saving these monuments to the ancient past is most important to the world, one can't help but to wish to come upon these wonders when Roberts captured them in his drawings. Truely a must for anyone who has been to Egypt, or simply wants to arm travel through history.A large book with full color plates.

Sciendo 2022, cm.14x21,5, pp.238, brossura. In its philosophical usage the concept of form indicates the entity that makes possible the relationship between orderer and ordered at the origin of all knowledge. In a classic perspective metaphysical form preceded ethical decision: the "forming" intervention consisted, in the discovery or recognition of ontological structures of reality, substantially unchangeable by human beings. If ethical form was a subsection of general ontology, ethical decision was merely its mirror image. In this context, an ex nihilo decision was truly unthinkable. But the modern emergence of the is-ought problem, i.