Writing: The Story of Alphabets and Scripts.

Firenze, Vallecchi Editore 1992, cm.15x21, pp.267, brossura, cop.fig. Coll.Biblioteca del Ponte,5.

Catania, Filippo Tropea Editore 1884, cm.12x18, pp.416, un ritratto dell'A.in antip., brossura Dorso restaurato, copp. origg, ben conservate. Ottimi interni. (Altra copia rileg.in cart. e priva della cop. orig. a €20).

Publisher Sturm & Drang 2016, cm.25x31, pp.120, num.tavv.bn.nt. legatura ed.cop.fig.a col. The first book release by young Swiss photographer Peter Hauser shows his straightforward, analog black and white pictures of nature and urban landscapes that yield a distinctive observation of perceptual phenomena: rectangles float; shadows fall into hard-edge shapes; surfaces reveal patterns and unlikely grids. Photographer Edward Weston drew a distinction between making pictures to learn about the world and those that impose a vision upon it. It was his intention to make pictures, he once said, not as “an interpretation, a biased opinion of what nature should be, but a revelation — an absolute, impersonal recognition of the significance of facts.”. Peter Hauser's work is subscribing to this mantra.

Exposition présentée au Centre Pompidou, Galerie 1 du 6 mars au juin 2002. Centre Pompidou 2002, cm.27x27, pp.60 illustrazioni a colori. brossura con copertina figurata a colori.