Illustrated English Social History. Volume III. The Eighteenth Century.

Traduz.di Umberto Morra. Seconda edizione. Torino, Giulio Einaudi Editore 1942, cm.15,5x22, pp.588,(4), brossura [copia in ottimo stato]. Collana Biblioteca di Cultura Storica,XII.

Trad.di M.Merlini. Milano, Garzanti Ed. 1969, cm.19,5x27, pp.XXIV,816, 272 figure bn.nt e 1 carta ripiegate, legatura editoriale in tutta tela. Collezione Maggiore.

Traduzione di Umberto Morra. Roma, Il Saggiatore 1973, 2 Voll. cm.11x16,5, pp.411, 385, brossura. Collana I Grandi Gabbiani,4. Edizione su licenza della Giulio Einaudi Editore.

New edition. London, Longmans, Green and Co. 1956, cm.14,5x22, pp.XVI,512, alcune cartine in bn.nt., legatura ed.in t.tela, sopraccoperta. (lievi fioriture alla sopraccop.; ex libris al I risguardo; breve giudizio a penna al piede del II.)

Milano, Marzorati Ed. 1970,1985, 2 volumi. cm.17x24, pp.XIV,1435 complessivamente legature editoriali con titoli in oro ai piatti e ai dorsi. (disponibile anche solo volume II 10,00 euro).

Traduzione di Michela Finassi Parolo. Milano, Feltrinelli Ed. 2003, cm.14x22, pp.254, brossura copertina figurata a colori. Collana Universale Economica Feltrinelli. Camila, cilena di nascita e rifugiata da anni negli Stati Uniti, è una reporter. Ha appena perso il figlio, è disperata, in crisi con il marito e incapace di chiedere l'aiuto della madre perché nutre nei suoi confronti un devastante senso di inferiorità. Malgrado tutto, accetta di fare un reportage in Messico. Qui, in una sperduta cittadina i cui abitanti sostengono il ribelle zapatista Marcos, incontra Reina de Barcelona. La vicenda di questa donna coraggiosa susciterà in Camila riflessioni e confronti e la incoraggerà a riavvicinarsi alla madre e al marito.

Cambridge-Londra, Harward University Press 2021, cm.16x25, pp.360, Legatura editoriale con sovraccoperta figurata. In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied. Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change.

Avece 8 planches d'illustration et 158 pièces justificatives. Fusignano (Italie), chez l'Auteur 1892, cm.25x36, pp CLXIX,182, brossura originale. Ediz. di 500 copie, di cui solo 50 numerate, esemplare non numerato. Etichetta di biblioteca al dorso.