Revolution surrealiste, l'exposition.

New York, The Columbia University Press 1911, cm.15,5x23, pp.VIII-404, legatura ed.in tutta tela, impress.in oro al piatto ant. e scritte e fregi al dorso. Ottimo esempl. Columbia University Lectures Coll.

Periodico quattordicinale. Milano, Arnoldo Mondadori Ed. 28 agosto 1966, cm13x19, pp.160, [copia in ottimo stato]. tascabile, cop.ill.a col. Coll.I Romanzi di Urania,443.

Publisher Sturm & Drang 2016, cm.25x31, pp.120, num.tavv.bn.nt. legatura ed.cop.fig.a col. The first book release by young Swiss photographer Peter Hauser shows his straightforward, analog black and white pictures of nature and urban landscapes that yield a distinctive observation of perceptual phenomena: rectangles float; shadows fall into hard-edge shapes; surfaces reveal patterns and unlikely grids. Photographer Edward Weston drew a distinction between making pictures to learn about the world and those that impose a vision upon it. It was his intention to make pictures, he once said, not as “an interpretation, a biased opinion of what nature should be, but a revelation — an absolute, impersonal recognition of the significance of facts.”. Peter Hauser's work is subscribing to this mantra.

Presentazione di Domenico Magrì. Catania, I Faraglioni 1975, cm.17x25, pp.275, con diverse foto in bianco e nero. Legatura editoriale sovracopertina figurata a colori. Coll. La Sicilia com'era,II.