Art Deco 1920-1940. Formen Zxischen Zwei Kriegen.

Roma, Stato Maggiore dell'Esercito cm.22x28, pp.71, 71 fotografie bn.e 80 ill.a col. legatura ed. sopracop.fig.a col. Collana Opere Varie.

Prefazione di Oreste del Buono. Disegni di Gal. Roma, Editori Riuniti 1975, pp.12x18,5, pp.XII,124, brossura con copertina figurata a colori.

Text by Gesine Borcherdt, Vittorio Colaizzi, Barry Schwabsky. New York, 2021. Presenhuber 2022, cm.24,5x24,5, pp.128 ill.col. legatura editoriale in tutta tela. Clothbound. 979821800358-6 Amy Feldman is recognized for her iconic painting language and commitment to large-scale gray-on-gray abstractions. Feldman’s investigation in the color gray highlights the significance and potential that can be found in neutrality—how something can appear neutral but is, in fact, charged with great power of expression. Feldman typically works in series, presenting distilled iterations of unique forms, which relate to how images and signs are quickly interpreted, remembered, and misremembered. This publication features images of Feldman’s Mothercolor exhibition at Eva Presenhuber, New York, and essays by Gesine Borcherdt, Vittorio Colaizzi, and Barry Schwabsky.

MART, Trento, 12 febbraio- 2 maggio 2004. A cura di Lucrezia De Domizio Durini. Milano, Skira 2004, cm.24x28, pp.228, ill.a colori. brossura con copertina figurata a colori.