L'intellettuale scientifico. Origini psicologiche e sociologiche della scienza moderna.

Edito dalla Banca Toscana per il 500° anniversario del Monte dei Paschi di Siena. Firenze, Giunti-Barbera Ed. 1973, cm.17,5x25, pp.192, 20 docum.nt. 10 tavv.bn.e col.ft. legatura ed.in tutta tela, sopracop.fig. Ediz.in 3500 esemplari.

Parma, Artegrafica Silva 1998, cm.16x24, pp.30, brossura Pubbl.della Deputazione di Storia Patria per le province Parmensi.

Traduz.integrale. Sesto San Giovanni - Milano, A.Barion Editore 1928, cm.13x19, pp.159,(1), brossura (tracce di colla di vecchio nastro adesivo alla prima e all'ultima carta.)

Pimlico 1997, cm.19x24,5, pp.498, brossura copertina figurata a colori. This fresh penetrating and beautifully illustrated study is part history, part guide and part celebration. Michael Levey surveys the physical evolution and enhancement of Florence over the centuries, from medieval republican times to the beginning of the nineteenth century. While discussing artefacts of all kinds - a cameo or reliquary no less than great buildings and other major works of art -he also considers some of the chief personalities who have contributed to the physical appearance of the city we see today. Renaissance Florence is a familiar phenomenon, given its due place in stimulating, detailed discussion here. But much less well known is the city which developed onwards from the late sixteenth century, which the author warmly champions, with its own great, sometimes opulent artistic achievements. In this magnificent book, the famous and apparently familiar emerges with new vividness and clarity to