La dittatura nera dal 1919 al 1925.

Roma, Regio Istituto per la storia del Risorgimento Italiano 1935, cm.18x25, pp.XL-214, brossura intonso. Fioriture in copertina ma ottimo esempl. Collana Fonti,6. Intonso

Firenze, Marzocco 1942, cm.14,5x22,5, pp.352,16 figg.bn.ft. rilegatura in mezza tela. e carta fiorentina. Collezione Storica.

Milano, Edizione Athena 1928, cm.10,5x15,5, pp.90,20, legatura editoriale cartonata. Collana Piccola Biblioteca di Coltura Filosofica,44. Pensatori d'Oggi.

Firenze, Marzocco 1942, cm.14,5x22,5, pp.352,16 figg.bn.ft. brossura con cop.fig. Collezione Storica.

Venezia, 10 novembre 1973. A cura di Vittore Branca, Ettore Caccia, Cesare Galimberti. Firenze, Olschki Ed. 1976, cm.17x24, pp.388,XI, brossura con sopracop.fig. Collana Civiltà Veneziana. Saggi,20.

Roma, Newton & Compton 1996, cm.15x22,5, pp.252, num.figg.bn.nt. legatura ed.soprac.fig.a col. Collana Quest'Italia.

Tiratura in mille esemplari. Firenze, Rinascimento del Libro 1928, cm.23x29, pp.38, XXVIII tavv.bn.ft. legatura ed.cartonata, placchetta al piatto ant.(dorso in cartone mancante).

Photography by Achim Bednorz. Koln, Konemann 1999, cm.27,5x32, pp.520, illustrazioni a colori, legatura editoriale cartonata, sopraccoperta figurata a colori. Gothic art originated around 1140 in the Ile-de-France. Initially confined to the cathedrals and the most important abbeys of this region, it was soon to be regarded as a model for the rest of France and finally for Europe as a whole. The new style was not solely confined to the sacral domain, but rather increasingly invaded the secular and private spheres. Gothic is the first art-historical epoch from which art works of all genres have survived. Prominent among these remarkable works are the numerous richlyvaried cathedrals, the abbeys and town churches with their sequences of sculptures, colorful windows, wall paintings, gold work and book illuminations. Alongside these, the diverse town sites, the castles and palaces with their elaborate and artistic furnishings, continue to amaze the modern viewer. The present volume describes the development of Gothic in all its diversity. Beginning with the initial flourishing of Gothic architecture in France, the book traces its early reception in neighboring countries. Individual essays are devoted to the specific formal development of Gothic architecture in England, the " Germanspeaking countries, " Italy, Spain, Portugal, norrhern and eastern Europe as well as tests on late Cothic architecture in France and the Netherlands. The history of Gothic sculpture and painting with its changing pictorial themes and representational forms is also presented with reference to specific countries. Separate contributions on stained glass and gold work and individual studies devoted to special themes - to the Cathar heresy, to the Papal Palace in Avignon, to urban development, to technical knowledge - complete the period's overview. This book's many illustrations match the wide subject range of the Gothic period ; approximately two-thirds of the 780 illustrations were especially photographed for this volume. The various art-historical contributions were written exclusively by experts.