Trésor des Princes d'Europe. Les Valois, Les Bourbons, Les Medicis,Le grand Duche de Toscane, les premiers Habsbourg, l'Archiduc Ferdinand II du Tyrol, Rodolphe II de Prague, Les Habsbourg Au XVII...

Ediz.critica a cura di Margherita Spampinato Beretta. Firenze, Banco di Sicilia Le Monnier 1993, cm.16x24, pp.LXXXVIII,142, brossura Coll.Ediz.Nazionale delle Opere di G.V.,Vol.VI.

Vicenza, Accademia Olimpica, 17-20 maggio 1990. A cura di M.Chabò e F.Doglio. Viterbo, Union Printing Editrice 1991, cm.16,5x24, pp.557,(3),40, 42 tavv.in bn.ft., brossura, cop.fig.a col. (dorso lievemente ingiallito, altrimenti copia allo stato di nuovo.) Pubblicaz. del Centro Studi sul Teatro Medioevale e Rinascimentale.

Hachette 2003, cm.18x22, pp.318, broché.

Edited by Marino Barovier e Carla Sonego. Milano, Skira 2016, cm.28,5x30,5, pp.532, 1722 illustrazioni a colori. legatura editoriale in tela, sopraccoperta figurata a colori. Testo Inglese. English text. In-depth research based mainly on the unpublished materials coming from the Venini Historical Archive. The protagonist of Murano glass in the twentieth-century, Paolo Venini (1895-1959), with his passionate activity spanning almost forty years, made a decisive contribution to the vitality of the art of glass, achieving extraordinary results soon recognized internationally.For the greater part of the three hundred models in this volume, Paolo Venini had recourse to the traditional Murano techniques, of which he gave a refined and innovative interpretation. The volume also documents the contribution of the artists who worked with him intermittently between the 1930s and the 1950s. Two hundred and fifty glass pieces tell the story of collaborations with Tyra Lundgren, Gio Ponti, Piero Fornasetti, Eugène Berman, and Riccardo Licata, but also the Americans Ken Scott and Charles Lin Tissot. To them must be added the architects Massimo Vignelli and Tobia Scarpa, and the Norwegian designer Grete Korsmo.