Canaletto.

Milano, Aldo Martello Ed. 1963, cm.21x29,5, pp.18, 72 ill.ft.num.a t.pag. brossura cop.fig. Coll.I Grandi Maestri del Disegno.

Milano, Aldo Martello Ed. 1956, cm.23x32, pp.70, 235 ill.e tavv.bn.ft. 24 tavv.a col.applic. legatura ed.in tutta tela,soprac.fig.a col. Coll.I Sommi dell'Arte Italiana.

London-Milano, William Heinemann, Aldo Martello 1954, cm.23x32, pp.70, 278 tavv.ft. in bn. legatura ed. esempl. privo di soprac. Coll.The Great Masters of Italian Art. English Edition.

Milano, Aldo Martello Ed. 1956, cm.24x31, pp.57, con 190 ill.bn.ft.e 20 tavv.a col.appl.nt. legatura ed.in.tutta tela,soprac.fig.a col. Coll.I Sommi dell'Arte Italiana. (menda alla sopracoperta).

Livre XXVI. Texte établi, traduit et commenté par A.Ernout, R.Pépin. Ediz.con testo a fronte. Paris, Les Belles Lettres 1957, cm.13x20, pp.128, brossura Collection des Universités de France.

Schede e cronologia di Stefano Zuffi. Milano, Electa Ed. 2006, cm.25,5x28,5, pp.142, num.ill.e tavv.a col.nt. legatura editoriale in tutta tela, sopraccoperta figurata a colori. Coll.I Maestri. L'eccezionale e prolifica carriera di Rembrandt si proietta su una parabola umana e personale che ne fa l'artista più coinvolgente del Seicento olandese. Il volume propone 50 dipinti selezionati dall'autore che firma anche il saggio introduttivo. In apparato una cronologia illustrata con altre sessanta opere, per fornire un quadro dettagliato della vasta produzione di Rembrandt.

Impruneta (FI), Compagnia degli Araldi 1998, cm.15x21, pp.110,(2), brossura, cop.fig.a colori. [copia come nuova.]

This edition consists of 250 copies numbered 1-250 and 50 numbered I-L, the composition, reproduction and printing were carried out by Stamperia Valdonega, Verona, December 1990. The preface was set in monotype Van Dijck 203, front and back matter in Garamond 156 and printed letterpress, the reproductions were made and printed in two and four colours and the edition printed on paper especially manufactured by Cartiera Cordenons. Today Crossed out by Coosje van Bruggen. New York, Rizzoli International 1990, cm.30,5x43,5, pp. [4] -246- [4]. editorial binding on canvas with case, This copy number n.177. First edition. New copy. This luscious artists book includes a selection from Hanne Darboven's (1941-2009) seminal work group Urzeit/Uhrzeit, that originally consits of 26 single volumes and was created between 1987 and '88. The artists book is limited to 148 pages from the original, each page containing four original pieces. Hanne Darboven, one of the most important conceptual artists of the 20th century, has created a specific and responsible metonymy for her generation. She always was concerned with the limitations of the human consciousness and the perception of time and history. This opus magnum never achieved the public acclaim it deserves. artbookcologne strives to change that with a new, attractive price.