Un po' per celia e un po' per non morir...

Milano, Garzanti Ed. 1961, cm.10,5x17,5, pp.180, brossura cop.fig.a col.

Tipografia R. Bianchi cm.12x27, pp.40, brossura copertina figurata a colori.

Milano, Garzanti Editore 1961, cm.10,5x17,5, pp.180, brossura copertina figurata a colori. Collana I Garzanti,277.

Con uno scritto di Rino Mele. Sesto San Giovanni Caas Editrice Madella 1915 cm.15,5x21, pp.188 Rilegatura in mezza pelle con copertina originale applicata "Ti à piaciato?!!" è la prima opera di Ettore Petrolini, la più celebre e la più comica. Un insieme di monologhi originali, fantasie grottesche, macchiette parodistiche, conversazioni dirette con il pubblico, sciarade, indovinelli, vere e proprie creazioni di un genio della commedia dell'Arte. Ettore Petrolini è stato un attore, drammaturgo, scrittore, sceneggiatore e compositore italiano, specializzato nel genere comico. Petrolini ha inventato un repertorio e una maniera, che hanno profondamente influenzato il teatro comico italiano del Novecento. Con uno scritto di Rino Mele.

Trad.dall'olandese di Bernardo Jasink. Introduzione di Eugenio Garin. Firenze, Sansoni Ed. 1987, cm.15x24, pp.XXXVI,520, brossura Collana Classici della Storia e del Pensiero.

Monteux, Musica Rara Pub. s.d. cm.23x30, pp.23,6, fascicoli spillati.

Contents: Preface 1. Cuthswith, seventh-century abbess of Inkberrow, near Worcester, and the Würzburg manuscript of Jerome on Ecclesiastes Patrick Sims-Williams 2. The Anglian collection of royal genealogies and regnal lists David N. Dumville 3. The authenticating voice in Beowulf Stanley B. Greenfield 4. The ideal of men dying with their lord in the Germania and in The Battle of Maldon Rosemary Woolf 5. Ælfric's use of discourse in some saints' lives Ruth Waterhouse 6. Caesarius of Arles and Old English literature Joseph B. Trahern Jr 7. A supplement to Catalogue of Manuscripts Containing Anglo-Saxon N. R. Ker 8. The probable derivation of most of the illustrations in Junius II from an illustrated Old Saxon Genesis Barbara Raw 9. The palaeography of the Parker manuscript of the Chronicle, laws and Sedulius, and historiography at Winchester in the late ninth and tenth centuries M. B. Parkes 10. Some problems in interpreting Anglo-Saxon coinage Stewart Lyon 11. Beginnings continued: a decade of studies of Old English prose Milton McC. Gatch 12. Bibliography for 1975 Martin Biddle, Alan Brown, T. J. Brown, Peter A. Clayton and Peter Hunter Blair Index to volumes 1–5. Cambridge University Press 1976, cm.15x23, pp.319, legatura editoriale cartonata, sopraccoperta figurata. Manuscripts are the form of evidence most studied in this volume: the likely seventh- and eighth-century English ownership of a fifth-century copy of a Hieronymian commentary is meticulously reconstructed; an edition and full discussion of the eighth-century Anglian collection of royal genealogies and regnal lists advance our understanding of this difficult material; and it is shown that most of the drawings in the Junius codex of Old English poetry probably derived from an illustrated copy of an Old Saxon poem on Genesis which came to this country in the middle of the ninth century. Vernacular literature is well represented: two leading features of narrative technique are examined, one in Beowulf, the greatest surviving poem of the age, and the other in the works of Ælfric, perhaps its greatest writer of prose. A wide-ranging survey of some of the main problems in the modern-day study of Anglo-Saxon coinage makes a fundamental contribution both to that study itself and to the understanding of it by those in other specializations.

Traduzione di Maria Garin. Roma, CDE su licenza Laterza 1989, cm.14x21, pp.VIII,252, legatura editoriale cartonata, con sopraccoperta figurata a colori.