Max e i fagociti bianchi.

Paris, Cercle du Livre precieux 1963, 2 voll. cm.22x27, pp.680, 48 ill.bn.ft.a p.pag. legatura ed.in seta. Ediz.num.in 600 esempl.Ns.è il n°564.

Traduzione ed introduzione di Salvatore Rosati. Milano, Mondadori 1949, cm.15x21, pp.XXVIII,314, brossura, cop.con bandelle, sovraccop. fig.a col. Coll.Il Pensiero Critico,9. Prima edizione italiana.

Traduzione di Vincenzo Mantovani. Torino, Einaudi 1962, cm.14x22,5, pp.295, legatura editoriale in tutta tela. Prima edizione italiana.

Traduz.di Vincenzo Mantovani. Torino, Einaudi Ed. 1965, cm.14x22,5, pp.356, legatura ed.in tutta tela, sopracop.fig.a col.

Text by Jody Clowes. Chazen Museum of Art 2007, cm.22x28, pp.124, ill.col. brossura copertina figurata a colori. Chazen Museum of Art Catalogs. The history of contemporary American metalsmithing is inextricably linked with the academy. Since the 1950s, nearly every significant artist working in metals has trained at a university or art school—fertile ground for innovation and exploration in metalsmithing and jewelry making. The University of Wisconsin-Madison's metals program is among the best in the nation, founded on the teaching legacy of Fred Fenster and Eleanor Moty, who instilled in their students a profound respect for craftsmanship, technical innovation, formal integrity, and thoughtful design. The work in this catalogue encompasses hollowware and jewelry, wearable sculpture, poetic and narrative objects, and conceptual installations. The show at the Chazen Museum of Art was produced by guest curator Jody Clowes

La Spezia, Fratelli Melita 1990, cm.14,5x22,5, pp.395, brossura cop.ill.a col. Coll.Capolavori della Narrativa.