Gothic and Renaissance Art in Nuremburg 1300-1550.

Firenze-Siena, 1970. Catalogue Editors: Kyle Meredith Phillips, Anna Talocchini. Firenze, Leo S.Olschki Editore 1970, cm.15x21, pp.79, XLIV tavv.in bn.ft. in append., brossura, cop.fig. English Edition.

London, Royal Academy of Arts, 25 November 1983 - 11 March 1984. Catalogue edited by Jane Martineau and Charles Hope. London, Weidenfeld and Nicolson 1983, cm.21,5x28, pp.413,(3), numerose illustrazioni in bn. nel testo e 96 tavole a colori fuori testo , brossura, copertina figurata a colori.

1830-1980. Staatliche Museen Preusischer Kulturbesitz, Berlin 5/7- 28/9/1980. in der Nationalgalerie. Berlin, Staatliche Museen 1980, cm.22x27, pp.400, num.figg.bn.nt. brossura Testo in tedesco.

Herausgegeben von Gotz Czymmek. Wallraf Richartz Muesum Koln, 6/4-1/8/1990. 1990, cm.24x29, pp.520, num.figg.a col.nt. brossura cop.fig.a col.

Galleria d'Arte Moderna Falsetti. Prato,Chiostro romanico della Cattedrale,12/05-12/06/1973. Firenzelibri 1973, cm.16,5x23,5, pp.ca.70, 27 tavv.bn. brossura cop.fig. Collana FarsettiArte. edizione in 999 esemplari.

New York, Rizzoli International 2002, cm.23,5x28,5, pp.223, col. photos, hardcover with dustjacket. The first comprehensive book on the art and architecture of the Anglican (Episcopal) Church, will serve to many as an eye-opener that will dazzle and excite the senses and the mind. The Anglican Church has some of the greatest works of religious art in the world, but these treasures have not been widely publicized. Much of it is hidden away in nooks and crannies of small churches across the globe. With the tenacity of detectives, Simpson and Eatman have uncovered and present to us here a treasury of startlingly beautiful work. "A Treasury of Anglican Art" features eight centuries of exquisite art and architecture, glorious works fashioned from the finest materials available, resulting in delicate fabrics, fine stained glass, icons, illuminated manuscripts, metalwork, mosaics, paintings, sculpture, and works in wood. Masterpieces from such old masters as Rubens and Canaletto are represented; as are great works from more modern artists, such as John Singer Sargent, N.C. Wyeth, Graham Sutherland, Sir Basil Spence, Sir Jacob Epstein, Edward Burne-Jones, A.W.N. Pugin, L.C. Tiffany, H.H. Richardson, and Henry Moore.

Acropole Ed. 1999, cm.13,5x21,5, pp.166, brossura cop.fig. Collana Les Couples Célèbres. Testo in francese. Camille Claudel si Auguste Rodin au avut o relatie personala si profesionala profunda, in perioada 1883-1898, interval in care s-au inspirat si influentat reciproc. Intre cei doi artisti a existat de-a lungul anilor un dialog exceptional care a ilustrat faptul ca iubirea dintre cei doi a fost si o sursa de inspiratie artistica. La apogeul carierei sale, Rodin era considerat in Europa si Statele Unite cel mai mare sculptor de la Michelangelo. Sculpturile sale cu accente dramatice, stilul inovator si accentul pus pe miscare, expresie si evocarea spiritului erau admirate si cautate de colectionari. Rodin avea 41 de ani si atinsese in sfarsit succesul de critica si public pe care si-l dorea.Desi aceasts influenta reciproca a durat, relatia furtunoasa a celor doi nu a rezistat, iar la inceputul anilor 1890 cei doi au inceput sa se distanteze pana la despartirea finala.Dupa despartire, vietile celor doi au urmat directii diferite. Cariera lui Rodin a ajuns la apogeu, fiind considerat cel mai mare artist al lumii. Rodin, in pofida despartirii, a continuat sa o sprijine pe Camille atat prin interventii in presa cat si financiar, deseori recomandand lucrarile fostei iubite colec

London, The Reader's Digest Association 1980, cm.21x14, pp.35, disegni in bianco e nero nel testo, fascicolo spillato, copertina figurata. Testo in inglese.