Emilio de’ Cavalieri «Gentiluomo romano». His Life and Letters, His Role as Superintendent of all the Arts at the Medici Court, and His Musical Compositions. With addenda to «L’Aria di Fiorenza» and «The Court Musicians in Florence».

Testo in inglese. Firenze, Olschki Ed. 1972, cm.24x33, pp.168, 12 tavv.ft.di cui 1 a col.e 66 pp.nt. di c legatura ed.in.tutta tela, fregi in oro al piatto e al dorso,

Firenze, Olschki Ed. 1993, cm.17,5x24,5, pp.752, con 13 tavv. ft. di cui 2 a col. e 2 pieghevoli in tasca. legatura ed.in tutta tela, cop.fig.a col. Collana Historiae Musicae Cultores - Biblioteca, 61.

Firenze, Olschki Ed. 2007, cm.17x24, pp.XII-646, es.mus.nt. 46 tavv. bn.e 4 a col.ft. legatura ed. Collana Historiae Musicae Cultores,113. An indexed selection of revised and updated articles, seven of which hitherto unavailable in English, dealing with music and rhetoric, Josquin, Marenzio, Vecchi, Cavalieri, Rasi, Lully, Caldara, Handel, Bach (Musical Offering), Mozart, Beethoven, Paganini et al. Largely source-based, utilizing archival documents (for Handel) or applying the methods of literary topos-research and iconology to music itself, with links to the disciplines of history, Classical and Romance philology, art history, liturgics, patristics, etc. Una scelta aggiornata di articoli con indici, sette dei quali non ancora disponibili in inglese, su la retorica musicale, Josquin, Marenzio, Vecchi, Cavalieri, Rasi, Lully, Caldara, Handel, Bach (Offerta Musicale), Mozart, Beethoven, Paganini et al. Applica i metodi delle ricerche sui topoi letterari e dell'iconologia alla musica stessa, con collegamenti a storia, filologia classica e romanza, storia dell'arte, liturgistica, patristica, ecc.

The Poet, Amalthea, The Infant Zeus and The Muses. Firenze, Olschki Ed. 2015, cm 15 x 21, iv-102 pp. con 7 ill. f.t. di cui 6 a colori. Rilegato (Hardcover)., legatura ed. Pocket Library of Studies in Art,41. Testo in Inglese. Giorgione’s "Tempesta" has been the most discussed enigma in the history of art, with over fifty different interpretations, based largely on ancient literary sources which were compared, unconvincingly, with very few elements of the painting. Hesiod’s "Theogony", well known in Venice when the painting was made, explains all of them, for the artist translated the poet’s words literally into visual images, showing the shepherd Hesiod during the vision in which the muses consign to him a poetic mission; the infant Zeus held by his nurse Almathea one year after being rescued from being devoured by his father Cronus; and the altar of two columns erected by Zeus to commemorate his victory over Cronus, corresponding to his own altar with two columns in his birthplace Lyktos. The lightening is, of course, the attribute of Zeus. The muses are not seen, since Hesiod says they are 'invisible', but he often mentions their nine houses, shown in the painting.

Edizione a cura di P. Fabbri e A. Pompilio. Firenze, Olschki 1983, cm. 18 × 25,5, pp.132, Collana Studi e Testi per la Storia della Musica.

Spoglio del Volume. 1) Gluck,Christoph Willibald. Sposa, Euridice, consorte! : recit.vo ; e Che faro senza Euridice : aria in the opera of Orfeo. London, Printed & Sold by Chappell & C. Music Sellers. 2) Mura felici (recitativo) oh quante lagrime. Cavatine della donna del lago. Musica di Rossini. à Paris chez Carli Editeur de Musique det cordes de Naples. 3) Augusta.... 4) I lombardi alla prima crociata. Dramma lirico in quattro atti del Maestro Giuseppe Verdi. Paris, Au Bureau central de Musique. 5) Belisario. Opera en actes, paroles italiennes de M. Cammarano. Musique de Donizzetti. Publié à Paris paer Pacini. 6) Il trovatore. Dramma lirico in quattro parti di Salvadore Cammarano. Musica del Maestro Giuseppe Verdi. 7) Les Soirees Musicales, huit ariettes et quatre duos italiens, avec une traduction francaise de M.Crevel de Charlemagne. Mis en musique avec accompagnement de Piano par G. Rossini. 8) Numi, che intesi mai! Se m'abbandoni. Musica di Mercadante. à Paris, chez Bernard Latte. 9) Deh lascia ch' io sospiri. Duetto del maestro Vaccaj à Paris chez Pacini. 10) S' io l ' amava sciagurata duetto per mezzo soprano e basso. Nell' opera il giuramento del maestro Mercadante à Paris chez Pacini. 11) Il giuramento. Dramma in tre atti. Musica del maestro Mercadante. 12) Robert Bruce. Opera. Opera en trois actes, Musique de G. Rossini. 13) Prophéte. Opera en cinq actes. Paroles de M. Eug. Scribe. Musique de Giacomo Meyerbeer. 14) Zerline ou la corbeille d' oranges. musique de D.F. E. Auber. A Paris chez Brandus. 15) Marie Stuart Opera en 5 actes. Paroles de M. Tn. Anne . Musique de L. Niedermeyer. A Paris chez Pacini. 16) La favorite. opera en 4 actes . Paroles de MME Scribe, Alph. Royer et Gust. Vaez. Musique de Donizetti. A Paris chez M. Schlesinger. 17) A' Jules Lefort. Cantique de Noel avec d' Orgue melodium ad libitum. Paroles de M. Cappeau de Roquemaure. Mis en musique et composé Expressement pour Madame Emily Lauvey, par son ami Adolphe Adam. A' Paris Chez Alex Grus. 18) Reverie . PAroles de M. Victor Hugo. Musique de Camille Saint Saens. Paris, S. Richault. 19) Le crepuscule. Serenade à Madame L Albrecht. Paroles de Victor Hugo. Musique de A. Reichel. Paris, Chez Richault. 20) Le Lac. Meditation poétique dì Alph. de LAmartine. Musique de L. Niedermeyer. Paris, Chez Bonoldi (con splendida tavola bn.) 21) Barcarolle par francois Schubert. Paroles francaises de Belanger. Lithographies de Sorrieu. Oeuvres completes de Schubert. A Paris chez Richault. (con splendida tavola bn.) 22) C' est Toi, Melodie. Chantée par M. Tagliafico. Paroles de Adoplhe Catelin. Musique de Etienne Arnaud. Paris, J. Messonnier. (con tavola incisa). 23) Le pecheur breton. Paroles de Gustave Lemoine. Musique de M..elle L.Puget. Paris, J. Messonnier. (con tavola incisa). 24) Chantée par Francois Wartel. L' échange. Ariette a son ami Amaury Duval. Paaroles imitees d' une chanson Napolitaine par Alxandre Dumas. Musique de Henty Reber. A' PAris chez S. Richault. 25) Mon Beau Reve. Romance. Chantée par M. Audran. Paroles d'aimé gourdin, musique de Etienne Arnaud. Paris chez Bernard Latte. 26) The light othe days. Ballad sung by Phillips. In the Grand Opera The Maid of Artois. The words by Alfred Bunn, Esquire. Music by M.W. Balfe. London. cramer Addison & Beale. cm.26x33, pp.circa 400 con qualche inscisione nt. rilegatura in mezza pelle. Al piatto anteriore inciso in oro iniziali probabilmente del proprietario A.C.