L'aria di Fiorenza id est il ballo del Granduca.

Firenze, Olschki Ed. 2001, cm.17x24, pp.552 con 56 tavv. ft. di cui 12 a col. legatura ed.in tutta tela, cop.fig.a col. Coll. Historiae Musicae Cultores - Biblioteca, 86. I. The Roman Family De’ Cavalieri ~ II. The Immediate Family (The Father Tommaso and Michelangelo Buonarroti – The Nephews and Nieces) ~ III. Cavalieri in Rome and Florence. Correspondence and Conclaves ~ IV. Cavalieri as Superintendent of all the Arts an I. The Roman Family De’ Cavalieri ~ II. The Immediate Family (The Father Tommaso and Michelangelo Buonarroti – The Nephews and Nieces) ~ III. Cavalieri in Rome and Florence. Correspondence and Conclaves ~ IV. Cavalieri as Superintendent of all the Arts an

Firenze, Olschki Ed. 2007, cm.17x24, pp.XII-646, es.mus.nt. 46 tavv. bn.e 4 a col.ft. legatura ed. Coll.Historiae Musicae Cultores,113. An indexed selection of revised and updated articles, seven of which hitherto unavailable in English, dealing with music and rhetoric, Josquin, Marenzio, Vecchi, Cavalieri, Rasi, Lully, Caldara, Handel, Bach (Musical Offering), Mozart, Beethoven, Paganini et al. Largely source-based, utilizing archival documents (for Handel) or applying the methods of literary topos-research and iconology to music itself, with links to the disciplines of history, Classical and Romance philology, art history, liturgics, patristics, etc. Una scelta aggiornata di articoli con indici, sette dei quali non ancora disponibili in inglese, su la retorica musicale, Josquin, Marenzio, Vecchi, Cavalieri, Rasi, Lully, Caldara, Handel, Bach (Offerta Musicale), Mozart, Beethoven, Paganini et al. Applica i metodi delle ricerche sui topoi letterari e dell'iconologia alla musica stessa, con collegamenti a storia, filologia classica e romanza, storia dell'arte, liturgistica, patristica, ecc.

Firenze, Olschki Ed. 1993, cm.17,5x24,5, pp.752, con 13 tavv. ft. di cui 2 a col. e 2 pieghevoli in tasca. legatura ed.in tutta tela, cop.fig.a col. Coll. Historiae Musicae Cultores - Biblioteca, 61.

The Poet, Amalthea, The Infant Zeus and The Muses. Firenze, Olschki Ed. 2015, cm 15 x 21, iv-102 pp. con 7 ill. f.t. di cui 6 a colori. Rilegato (Hardcover)., legatura ed. Pocket Library of Studies in Art,41. Testo in Inglese. Giorgione’s "Tempesta" has been the most discussed enigma in the history of art, with over fifty different interpretations, based largely on ancient literary sources which were compared, unconvincingly, with very few elements of the painting. Hesiod’s "Theogony", well known in Venice when the painting was made, explains all of them, for the artist translated the poet’s words literally into visual images, showing the shepherd Hesiod during the vision in which the muses consign to him a poetic mission; the infant Zeus held by his nurse Almathea one year after being rescued from being devoured by his father Cronus; and the altar of two columns erected by Zeus to commemorate his victory over Cronus, corresponding to his own altar with two columns in his birthplace Lyktos. The lightening is, of course, the attribute of Zeus. The muses are not seen, since Hesiod says they are 'invisible', but he often mentions their nine houses, shown in the painting.