La fine dell'utopia.

Hegel e il sorgere della "teoria sociale". Bologna, Soc.Editrice Il Mulino 1966, cm.11,5x18,5, pp.479, brossura cop.fig. Collana Universale Paperbacks,2.

Studies in the Ideology of Advanced Industrial Society. Boston, Beacon Press 1966, cm.14x21, pp.255, brossura.

Boston, Beacon 1969, cm.14x21, pp.91, brossura. In this concise and startling book, the author of One-Dimensional Man argues that the time for utopian speculation has come. Marcuse argues that the traditional conceptions of human freedom have been rendered obsolete by the development of advanced industrial society. Social theory can no longer content itself with repeating the formula, "from each according to his ability, to each according to his needs," but must now investigate the nature of human needs themselves. Marcuse's claim is that even if production were controlled and determined by the workers, society would still be repressive—unless the workers themselves had the needs and aspirations of free men. Ranging from philosophical anthropology to aesthetics An Essay on Liberation attempts to outline—in a highly speculative and tentative fashion—the new possibilities for human liberation. TheEssay contains the following chapters: A Biological Foundation for Socialism?, The New Sensibility, Subverting Forces—in Transition, and Solidarity.

Divina Commedia Cod.Ital.474, a.R.4.8. Conservato presso la Biblioteca Estense di Modena. Commentario a cura di Ernesto Milano Ivrea, Priuli & Verlucca 1995, 2 volumi in cofanetto. cm.25,5x35, Facsimile di pp.280 (140 carte), commentario di pp.232. legatura del facsimile in tutta pelle, 5 nersi al dorso, titoli e greche al dorso e ai piatti. Il commentario è in legatura in mz.pelle. Edizione limitata in 500 copie numerate. This facsimile is complete (full-size color reproduction of the whole original document). This work, reproduced in authentic facsimile reprint in seven colours plus gilding, is printed in its actual size on Larius Matt Satin art paper especially manufactured for the publishers by the mill. It consists of two volumes. The first volume contains the authentic facsimile reprint of the 140 folios (280 pages) of the original codex. Written in Gothic characters, it is richly illustrated with watercolours on the upper margin of each page that represent the salient episodes of the Divine Comedy. The second volume contains the printed transcription of the original manuscript, accompanied by the historical-critical comments of Ernesto Milano, Director of the Biblioteca Estense in Modena, the library where the original codex is kept. Miniature:251 watercolor drawings; the first miniature is illuminated. The facsimile reprint is entirely bound in calfskin, with gilt toolings on the boards and the spine. The edition consists of only 500 numbered copies. Leather binding with gold tooling; a leather slipcase houses the half-leather commentary and the facsimile edition.

Milano, Giuffré Ed. 1993 cm.15x23, pp.XV,324, brossura. Coll.Psicologia Sociale e Clinica. Collana diretta da Erminio Gius e Alessandro Salvini. Esemplare con ampia dedica dell'autore.

Firenze, Polistampa 2010, cm.12x18,5, pp.80, brossura. Un sole sfatto taglia i nostri giorni per sventatezza forse dissipati o per pigrizia. Sale un'ombra quieta che appena ci lambisce in un trascorrere lento e muto che sarà forse l'ultimo e che alla perdita induce o alla resa. Invocheremo ancora dilazioni,rinvieremo la meta ad altra data,ad altra curva del tempo? Ci resta solo un attendere incerto, un accenno che dietro ad altro spazio, ad altro stadio e per prodigio su se stesso giri il tempo, e segni certi alzi nel cielo. Ma porta il tempo offerte oltre gli inganni? Con testimonianze di Giovanna Fozzer, Renzo Gherardini, Margherita Pieracci Harwell.

Mucchi Editore 1991, cm.17x24, pp.300, brossura copertina figurata. Collana Selected Symposia and Monographs,6.