Il risanamento delle strutture in cemento armato e muratura. Capitolato tecnico.

Roma, Carocci Ed. 1999, cm.17x24, pp.180, brossura cop.fig.a col. Coll.Manuali del Progettista,75.

Contiene floppy disk. Roma, Carocci Ed. 2000, cm.17x24, pp.358, brossura. Coll.Manuali del Progettista,82.

Traduz.di Clara e Anna Bovero. Torino, Einaudi Ed. 1965, cm.17x26,5, pp.XXIII,371, 322 figg.e tavv.bn.in tavv.ft. legatura editoriale in tutta tela. Bibl.di Storia dell'Arte,4.

Milano, Feltrinelli Ed. 2004, cm.14,5x22, pp.197, 24 ill.a col.in tavv.ft. brossura copertina figurata a colori , con bandelle. Coll.Varia. Architetto dei giardini, collaboratore di giornali e riviste d'opinione e specialistiche, vicepresidente per l'Italia della International Dendrology Society, Pejrone dedica questo libro all'amore, la disciplina, l'arte di badare a orti e giardini, all'arte di capire le piante. Offre molti esempi del "ben fare" ma anche numerosi esempi del "mal fare", trasferendo nel testo anche una buona dose di polemica, fra politica, estetica e lavoro sul campo.

Parma, Delta Editrice 2016, cm.17x24, pp.90, ill.a colori. brossura copertina figurata a colori. Coll.Navi e Imprese Sul mare.

Periscope Pub 2011, cm.24x31, pp.328, ill.a colori. legatura editoriale cartonata copertina figurata a colori. Best known for its collection of masterpiece paintings, the Gardner Museum is also one of the first museums to include a large quantity of Italian furniture. Ranging from renaissance wedding chests and inlaid credenza to Rococo Venetian pieces of the 18th century, the collection is perhaps the largest of its type in the United States. Although relying upon several advisors for her acquisitions of paintings and sculptures (most famously, Bernard Berenson), Isabella Gardner bought her furniture entirely on her own, recognizing the critical role furniture played in the function and decoration of Italian interiors from the 15th century to the early 19th century. This meticulously designed catalogue includes numerous photographs that focus on individual objects and reveal characteristic forms and styles. Observations made by the museum conversation department about the techniques and materials of the pieces, which differ significantly from furniture of other countries, are also published. Long overlooked, very little has appeared in English on the subject of Italian furniture. Yet, these magnificent objects are finally given the careful study and attention they deserve in this beautifully produced catalogue.