Achille Lega maestro del '900.

Cinisello Balsamo, Silvana Ed. 2003, cm.23x28, pp.159, oltre 120 ill.e tavv.bn.e a col.nt. brossura con bandelle, cop.fig.a col.

Milano, E.I.T. 1967, cm.30,5x39, pp.173,30 tavv.a col.appl. legatura ed.soprac.fig.a col. Collana I Classici della Pittura.

Bologna, Casa Editrice Due Torri 1978, cm.22,5x30, pp.177, num.figg.bn.e col.nt. legatura ed.sopracop.fig.a col. Collana L'Arte Contemporanea in Emilia Romagna,3.

Milano, Fabbri Ed. 1983, cm.14x21, pp.280, cop.fig.a col.

Publikation erschienen anläßlich der Ausstellungen in der National Gallery, London vom 1. Oktober 2018 bis 27. Januar 2019 und in der Gemäldegalerie, Staatliche Museen zu Berlin vom 1. März bis 30. Juni 2019. Herausgegeben von Caroline Campbell, Dagmar Korbacher, Neville Rowley und Sarah Vowles. Mit Beiträgen von Andrea De Marchi, Jill Dunkerton, Babette Hartwieg und Katharina Weick-Joch. The National Gallery. Muenchen, Hirmer Verlag 2018, cm.25x29, pp.350 ill. legatura editoriale cartonata, copertina figurata a colori. Testo in tedesco.

Poème dédicace de Robert Wilson, essais critiques de Serge Linarès et Philippe Piguet, poème de Sylviane Dupuis . Milano, Five Continents Editions 2019, cm.27,5x36, pp.136, 48 illustrazioni a colori. legatura editoriale cartonata in mezza tela. Testo Inglese e Francese. This book is the most important monograph devoted to the Swiss artist-photographer Béatrice Helg. It offers a survey of her work from the past twenty-five years, and is accompanied by a poem dedication by Robert Wilson, critical essays by Serge Linarès and Philippe Piguet, and a poem by Sylviane Dupuis. Helg's oeuvre has a singular position within the photographic tradition of "constructed images." Remote from hyperrealist or narrative imagery, her work displays abstract forms and luminous worlds. Drawing on a passion for music and a marked sensitivity to notions of space and time, to architecture, and to the staging of plays and operas, the artist creates monumental spaces in which sculpture, painting, installation, and light interact. As poetic as they are spiritual, her photographs show strangely beautiful universes of shadow and of light. Her work opens onto an infinity - onto a quest for the absolute or a search for inner mystery. Text in English and French.

Milano, Vangelista Ed. 1971, cm.15x23, pp.416, num.figg.bn.nt. brossura con bandelle, cop.fig.a col.

Volume I: Dal 1400 al 1800. pp.415, 428 illustrazioni nt.e 13 tavole a colori applicate su cartoncino pesante marrone ft. Volume II: del secolo XIX. pp.IX, 624, 514 illustrazioni nt.e 16 tavole a colori applicate su cartoncino pesante marrone ft. Traduzione e note di Gino Fogolari. Milano Società Editrice Libraria 1915, cm.22x30, legature editoriali cartonate.