J'entr'oubliay.

Con 20 illustrazioni di Françoise-Emilie Dangon. Paris, Les Ed.du Courrier Graphique 1947, cm.14,5x19, pp.206, brossura Collect.Le Ballet des Muses. Ediz.num.in 3500 esempl.su carta velina.

Trad.di N.De Paoli.R.De Vecchi. Milano, Feltrinelli Ed. 1959, cm.13x21, pp.350, 22 ill.bn.di M.Ranchetti. legatura ed.in tutta tela, in cofanetto in mz.tela, tagli e piatti di colore blu. Con sovracopertina trasparente in acetato. prima edizione italiana.

Préface, gloses et notices sur tous les personnages cités et sur toutes les particularités du temps, par André Mary. Paris, Garnier 1962, cm.12x18,5, pp.XXIII,283, alcune tavv.in bn.ft., brossura, sovraccop.fig. Coll.Classiques.

Précédées d'une notice et suivies d'un glossaire. Paris, Aux Quais de Paris, Librairie Mireille Ceni 1957, cm.12x18,8, pp.190,(2), brossura Copia quasi interamente intonsa.

Como,San Francesco,3-4/1981. Milano, Electa 1981, cm.25x24,5, pp.143, num.ill.e tavv.bn.e a col.nt. legatura ed.in tutta tela,soprac.fig.a col.

Extrait de Kemi, Revue de Philologie et d'Archéologie égyptiennes et coptes. XIV,1957. Paris, Librairie Orientaliste Paul Geuthner 1957, cm.22,5x28, pp.92-101, brossura intonso.

Milano, Longanesi & C.Ed. 1970, cm.11x18, pp.V,277, tascabile, cop.ill.a col. Coll.I Libri Pocket,252.

New York, Schocken Books 1962, cm.13,5x20, pp.152,(4), brossura con copertina figurata. First Edition. The best single statement ever made by Bernard Berenson of his aesthetic principles and methods of procedure. It deserves to be read by every student of art history. Of the title essay Berenson himself wrote, "I have pusblished books and articles, but, except one on the rudiments of connoisseurship, dating from the beginning of my activities, I have written almost nothing about the assumptions and convictions that have shaped and directed my work." Also included in this volume are Berenson's famous essay on the architectureof the Renaissance church, and short studies of Raphael, Mantegna, Filippin Lipp, and others - all superb examples of connoisseurship in practice.