Opere minori. Lirica latina. Rime. Commedie. Satire. Lettere. Erbolato.

A cura di Cesare Segre. Milano, Mondadori 1964, cm.11,5x17,5, pp.LIV,1422, legatura editoriale in tutta pelle. Collana I Classici.

A cura di Carlo Muscetta e Luca Lamberti. Torino, Einaudi 1962, 2 volumi. cm.14x22, pp.1700 complessivamente, num.tavv.a col.ft. legature editoriali , titoli fregi in oro ai dorsi, in cofanetto. Collana I Millenni. Il Parnaso Italiano.

A cura di Mario Apollonio. Milano, Rizzoli Ed. 1944, 2 voll. cm.13x19, pp.680,666, legatura ed.in tutta tela. Collana Classici diretti da Ugo Ojetti.

A cura di Lanfranco Caretti. Tavole di Ugo Attardi. Venezia, Corbo & Fiore Ed. 1974, cm.21x31, pp.XXXV,286, con cinque tavv.bn.ft. brossura con sopracop.fig. (due pagine bianche nt. con fotocopie allegate).

Roma, Ist.Poligrafico e Zecca dello Stato- Archivi di Stato 1987, cm.20,5x29, pp.104, 43 figg.e 1 tav. brossura con bandelle, cop.fig.a col. Collana Memorie Descrittive della Carta Geologica d'Italia.

New Brunswick, London, Rutgers Univ.Press 1999, cm.18,5x26, pp.XVII,354, 64 ill.bn.nt. legatura ed.in tutta tela,soprac.fig.a col. The Poetics of Natural History is about the “daydreams” of early American naturalists (from 1730 to 1868) and the collections they created around these dreams. Christoph Irmscher explores how, through the acts of organizing physical artifacts and reflecting upon their collections through writings and images, naturalists from John Bartram to Louis Agassiz were making sense of themselves and their world. These collections allowed them, in a way, to collect themselves. In the first part of his book, Irmscher offers us a guided tour of the actual collections, beginning in Bartram’s disorderly botanical garden in Philadelphia and taking us through the artful display of animals in Charles Wilson Peale’s collections and, finally, to the “halls of humbug” of P. T. Barnum’s American Museum. The second part of the book moves away from the collections, and explores natural history words and images. Irmscher unforgettably describes American collectors’ fascination and horror with the American rattlesnake, and invokes the violent and beautiful world of American birds as described in John James Audubon’s paintings and writings. His book ends with a description of Louis Agassiz’s 1865 expedition to Brazil as seen through the eyes of the young William James, who reluctantly gathered Brazilian fish while his mentor assembled “proof” that some human beings were less human than others.

A cura di C.Pischedda. Firenze, Olschki Ed. 1973, cm.16x23,5, pp.VIII,488, brossura Collana Epistolario di Camillo Cavour,3.

A cura di Adriano Paolella. Firenze, Edifir 2019, cm.15x21, pp.319, illustrazioni in bianco e nero. brossura con copertina figurata a colori. Collana Architettura. Con testi di Elisabetta Arena, Andrea Arrighetti, Stefano Bertocci, Alessandra Biondi, Susanna Bortolotto, Massimo Bottini, Giuseppina Clausi, Maurizio Colozza, Anna Di Bene, Erika Fammartino, Piero Favino, Omar Filippi, Andrea Garzulino, Barbara Gelli, Gisella Giaimo, Anna Guarducci, Giuseppe Lobalsamo, Raniero Maggini, Francesco Mariani, Serena Massa, Liliana Mauriello, Giovanni Minutoli, Giovanni Pancani, Adriano Paolella (a cura di), Oreste Rutigliano, Mariarita Signorini, Lucilla Tozzi.