L' uomo nell'era della televisione.

Dijon, Université de Bourgogne, Faculté de Lettres et Philosophie 1987, cm.14,5x20,3, pp.(4),251,(9), brossura, cop.fig. [copia allo stato di nuovo] Cahier du Centre de Recherche sur l'Image, le Symbole et le Mythe. Université de Bourgogne, n.2.

Apparati critici e filologici di Maria Cristina Gozzoli. Milano, Rizzoli 1973, cm.24x31, pp.127,(1), 64 tavole a colori fuori testo e catalogo gen. con illustrazioni in bn. nel testo , legatura editoriale cartonata, copertina e con sopraccoperta figurate a colori. Collana Classici dell'Arte,67.

Oxford, Ashmolean Museum 2010, cm.24,5x29, pp.160, paperback. Weimin He's 324 ink drawings, pen sketches and woodblock prints comprise an intimate record of the progress of construction in the newly designed Ashmolean Museum that opened late last year. An unusual approach to documentation in the age of digital photography, the catalogue provides a delightful art experience for readers who will never set foot in the Ashmolean, which is the museum for the University of Oxford. Weimin has drawn workers lifting roof beams, welding metal rods and pouring cement into the mixer. He gives us behind-the-scenes portraits of museum personnel, making each individual come alive, for example, an objects conservator at her work and a researcher in the prints room at his. An artist-in-residence at the museum and an art scholar, Weimin employed Chinese drawing and woodblock printmaking methods. His portraits were drawn on pi, xuan papers or album leaves, with Chinese brushes and inks that have been used for over a millennium. Seven of the prints and the catalogue were presented to Queen Elizabeth for the museum's opening.