Romanzi e taccuini. Romanzi e Taccuini. Voll.I e II: Guerra e pace e taccuini. Vol.III: Anna Karenina e taccuini.

A cura di L.Pacini Savoj, M.B.Luporini. Firenze, Sansoni 1961, completo in 4 voll. cm.14x20,5, pp.XXIII-2390,1391,XIV-1103, legature editoriali in t.pelle, titolie fregi in oro ai dorsi.

A cura di Leone Pacini Savoj, Maria Bianca Luporini. Trad.di Agostino Villa, Maria Elena Barducci, Federico Rispoli, Pia Sbriziolo. Milano, Sansoni Ed. 1993, 2 volumi. cm.13,5x21, pp.XXIV,2389, legature editoriali copertine figurate a colori. Collana La Grande Letteratura.

Firenze, Sansoni 1961, cm.13x20,5, pp.1095, legatura ed.in t.pelle,titoli in oro al dorso.

Traduzione di Giuseppe Donnini. Milano, Casini ed. Per Club del Libro 1962, cm.16x25,5, pp.XII,340, legatura ed. Collana I Classici.

Cambridge, University Press 1982, cm.14x21,5, pp.X,253, 9 tavv.bn.nt. brossura con cop.fig. Testo in inglese. This book is a major reappraisal of Byron's poetry, which grapples firmly with the paradox of his work - that in spite of his enormous influence, the magnetic power of his personality, and the fascination of his life, the poetry is often of inferior quality and so inconsistent in its attitudes that Byron's poetic seriousness is inevitably called into question. The focus of the book is the nature of Byron's relationship with his public and its effect on his poetry; a subject that has remained largely unexplored. Dr Martin considers Byron's anomalous position as an aristocrat in a literary market governed by commercial interests and middle class tastes and reading habits. He suggests that the whole of Byron's poetry can be seen as a performance determined by a number of factors: Byron's anxieties about his modernity, his contemporaries, and the image his readers were ready to fashion for him.