Tartan contro abiti Rossi.

Traduction de M.Defauconpret. Paris, Furne Ed. 1832, 3 voll. cm.13,5x21,5, pp.396,466,504, con 1 carta geogr.ripieg. brossura

A cura di Enrica Villari. Traduzione di G.Sacerdoti. Torino, Bollati Boringhieri Ed. 1991, cm.13x19, pp.XVII,113, brossura cop.fig.a col. Collana Universale. L'Età Moderna,3.

Introduction by P.G.Maxwell-Stuart. London, Wordsworth Editions 2001, cm.13,5x21,5, pp.239, brossura cop.fig. Collana Myth, Legend and Folklore.

Introduzione di Emilio Tadini, traduzione di Annalisa Merlino. Edizione italiana a cura di M.P.Donat-Cattin. Roma, Donzelli Ed. 1994, cm.12x17,5, pp.XIII,350, 8 tavole a colori fuori testo, legatura editoriale con sopraccoperta figurata a colori. Collana Biblioteca,10.

Trad.e commenti di J.F.Angelloz. Paris, Paul Hartmann Ed. 1936, cm.19,5x25,5, pp.104, brossura Testo in francese.

Traduz.di Marcella De Ambrosis. Milano, Casa Editrice Il Saggiatore 1965, cm.12x17, pp.324, brossura Collana I Gabbiani,27.

Traduz.italiana di Pietro Albertoni. Aggiunte originali di Farmacopea italiana. Milano, Francesco Vallardi Ed. s.d.ma, 1886, cm.15,7x23,3, pp.XVI,913, rilegatura in mz.pergamena, tassello in pelle con titoli in oro al dorso. Collana Biblioteca Medica Contemporanea.

Berlin Benedikt Taschen 2000, cm.23x30, pp.252, illustrato bn. legatura editoriale cartonata sopraccoperta figurata. Text in german, english and french. Man Ray (1890-1976) remains a legendary figure in the history of 20th century visual art, Born Emmanuel Rudnitsky (which he abbreviated as his career took off) in Philadelphia, Ray was one of the first modern graphic artists. Bursting with ideas, he restlessly moved between media, constantly experimenting with the technological and scientific processes of constructing the image. In Ray's compositions bodies and objects are made strange and unfamiliar -- erotic, playful and sometimes sinister. Ray was a charismatic figure with a knack for creating and energising artistic movements, influencing and befriending many leading lights of the European Avant-Garde, from Dadaists to Surrealists and including Duchamp, Picasso, Satie, Cocteau and Breton. Ray's vast photographic oeuvre is often considered to be his most important and ground-breaking body of work. As well as consistently creating unusual and beautiful images, he also developed a number of new photographic techniques, most Famously photograms (or ""Rayographs,"" as he preferred to call them), and the solarization process which, as he himself claimed, he ""discovered"" by accident with his muse, assistant and model Lee Miller. This volume brings together the finest photographs from collections and archives around the world, representing the singular vision of Man Ray at his most dynamic and beautiful.