La fiera della vanità. Romanzo senza eroe.

Traduzione di Luigi Berti. Torino, Giulio Einaudi Editore 1939, 1942, cm.15,5x21,5, pp.X,506, brossura. Collana Narratori Stranieri Tradotti,VI.

A novel without a hero. Drawings by Robert Ball. New York, Randon House 1958, cm.16x24, pp.544, legature editoriali in tutta tela, titoli ai dorsi.

Leipzig, Bernhard Tauchnitz 1849-1850, 3 volumi rilegati in 2 tomi. cm.12x16, pp.312, 346, 444, rilegature cartonate, tassello in pelle con titoli in oro al dorso. Tagli colorati. Collection of British Autors,167,168,169. COPYRIGHT EDITION

A cura di Anna Banti. Milano, Armando Curcio Editore 1978, 3 volumi. cm.14x21, pp.262, 262, 236, brossura, copertine figurate a colori. Collana I Classici della Narrativa,46,47,48. Collana diretta da Libero Bigiaretti

Edizione critica a cura di Giovanni Fontana. Firenze, Accademia della Crusca 1992, cm.17x25, pp.XLVI,85, brossura Quaderni degli "Studi di Filologia italiana",11. Intonso. 88-87850-91-7

Battlescene plates by Christa Hook. London, Osprey Publishing Limited 2001, cm.16x24, pp.96, numerose figure bn.e a colori nel testo, brossura con copertina figurata a colori. Collana Campaign Series,83. The retreat to Corunna is one of the epic campaigns of the Napoleonic Wars. Late in 1808 Sir John Moore found himself virtually alone with his small British army deep inside Spain. The armies of his Spanish allies had been overwhelmed and he faced a victorious French force under the Emperor Napoleon. He had little option but to order a retreat to the port of Corunna. This became the most arduous of trials with armies traversing mountainous terrain over appalling roads in the depths of winter. Somehow Moore held his outnumbered, exhausted men together as they struggled to reach safety. Finally at Corunna Moore's army turned to face its tormentors.