Epigrammi.

Versione poetica di Giuseppe Lipparini. Testo latino a fronte. Bologna, Zanichelli 1942, cm.13x19,5, pp.XVIII,(2),348,(4), legatura editoriale in tutta tela, Collana Poeti di Roma.

A cura di Giuseppe Norcio. Testo latino a fronte. Torino, UTET 1995, cm.15x23,5, pp.947, legatura editoriale in tutta tela, titoli e fregi in oro al dorso. Coll.Classici Latini.

Versione poetica di Alberto Mortera. Milano, Arnoldo Mondadori Editore 1952, cm.11,2x18,3, pp.203,(1), legatura ed. cartonata, titoli su fondo oro al piatto ant. e al dorso. Coll. BMM, CCXCIII.

A cura di Giuseppe Norcio. Testo latino a fronte. Torino, UTET 1980, cm.15x23,5, pp.947, legatura editoriale in tutta tela, titoli e fregi in oro al dorso. Coll.Classici Latini.

Traduzione di Margherita Santi Farina. Firenze, Casini Ed. 1957, cm.13,5x20,5, pp.621, legatura editoriale in tutta tela, sopraccoperta figurata a colori. Collana I Grandi Maestri,29.

Putnam Adult 2004, cm.14,5x22, pp.435, legatura editoriale cartonata, sopraccoperta figurata. Now freelancing from South Florida, Scarpetta returns to the city that turned its back on her five years ago. She travels to Richmond, Virginia, at the odd behest of the recently appointed Chief Medical Examiner, who claims that he needs her help. When she arrives, however, she finds that nothing is as she expected: her former lab seems neither as organized nor as well run as it once was; the inept current chief is driven by an agenda he will not reveal; her former assistant chief has developed personal problems he won't discuss; and a glamorous FBI agent whom Marino instantly dislikes begins meddling in the case. Deprived of assistance from colleagues Benton and Lucy because they are embroiled in what at first appears to be an unrelated attack by a stalker, Scarpetta is faced with solving the death of a fourteen-year-old girl despite the smallest pieces of evidence - traces that only the most thorough hunters can identify. It's up to Scarpetta to follow the twisting leads and track the strange details in order to make the dead speak - and reveal the sad truth that may be more than she can bear.

Milano, Garzanti Ed. 1976, cm.11x18, pp.138, brossura copertina figurata a colori. Coll. I Grandi Libri Garzanti.

Firenze, Edizioni La Famiglia 1976, cm.21x30, pp.112 ill. legatura editoriale. cartonata.