Il libro d'oro. Rivelazioni dei destini umani. per mezzo della Chiromanzia, trascendente, la negromanzia, la fisionomanzia, la geomanzia, la cristallomanzia, e tutte le scienze divinatorie.

Roma, Ediz.Mediterranee 1972, cm-13,5x21,5, pp.432, foto bn. nel testo, brossura cop, figurata a colori. Coll.Biblioteca dei Misteri. In quest'opera, Allan Kardec, il fondatore dello spiritismo, ha raccolto e coordinato la dottrina spiritica, quale a lui ed altri medium fu dettata dagli stessi spiriti. Il libro contiene oltre 1000 domande sulla vita degli spiriti incarnati e disincarnati, e le relative risposte e spiegazioni. All'opera è allegata una speciale tabella mediante la quale è possibile comunicare con gli spiriti.

Kai Wessel - altus Christoph Hammer - pianoforte Genere: Classical - General. Assai 2003, 1 CD, Playing Time: 69 min. AudioCD,

Siglo XV. Original conservado en la biblioteca del Colegio de las Escuelas Pías de Zaragoza. Estudios traduccion de la edicion facsimilar. Burgos, Siloé, arte y bibliofilia 2003, cm.24,5x27,5, legatura editoriale sopraccoperta figurata a colori, cofanetto.

Papers Given at the Thirty-Sixth Annual Conference on Editorial Problems,University of Toronto, 3-4 November 2000. Toronto, University of Toronto Press 2003, cm.15x23, pp.206, legatura editoriale, sopraccoperta figurata a colori. Testo in inglese. Thirteenth-century theologian, philosopher, and church leader, Robert Grosseteste was one of the most learned men and respected scholars of his time. Elected as the Bishop of Lincoln in 1235, a post he held until his death in 1253, Grosseteste was something of a polymath, exploring subjects ranging from the natural sciences (physics, cosmography, etc.) to pastoral care and speculative theology. More than 1000 medieval manuscripts of his works are scattered in libraries throughout Europe, and as a result there are immense challenges faced by editors who wish to provide modern critical editions of his works. This collection of essays, in the series on Editorial Problems, offers historical and contextual discussions of several of Grosseteste's works, including the Super Psalterium, Le Chateau d'amour, and Grosseteste's translation of the pseudo-Dionysian Ecclesiastical Hierarchy, among others. In addressing specific aspects of the editorial process - questions of authenticity, chronology, textual transmission, editorial practice, and contemporary sources and influences - the contributors provide new insight into Grosseteste's work through the use of both traditional and cross-disciplinary approaches.