Making Choices: 1929, 1939, 1948, 1955. Textes by Peter Galassi (Autore), Robert Storr (Autore), Anne Umland.

Firenze-Siena, 1970. Catalogue Editors: Kyle Meredith Phillips, Anna Talocchini. Firenze, Leo S.Olschki Editore 1970, cm.15x21, pp.79, XLIV tavv.in bn.ft. in append., brossura, cop.fig. English Edition.

London, Royal Academy of Arts, 25 November 1983 - 11 March 1984. Catalogue edited by Jane Martineau and Charles Hope. London, Weidenfeld and Nicolson 1983, cm.21,5x28, pp.413,(3), numerose illustrazioni in bn. nel testo e 96 tavole a colori fuori testo , brossura, copertina figurata a colori.

1830-1980. Staatliche Museen Preusischer Kulturbesitz, Berlin 5/7- 28/9/1980. in der Nationalgalerie. Berlin, Staatliche Museen 1980, cm.22x27, pp.400, num.figg.bn.nt. brossura Testo in tedesco.

Herausgegeben von Gotz Czymmek. Wallraf Richartz Muesum Koln, 6/4-1/8/1990. 1990, cm.24x29, pp.520, num.figg.a col.nt. brossura con cop.fig.a col.

Torino, UTET 1951, cm.19,5x26,5, pp.622, 6 tavole a colori , 500 figure in bn. nel testo , legatura editoriale in tutta tela.

Preface and text by Kambui Olujimi. Text by Hanif Abdurraqib. Interview by Koyo Kouoh. Conversations with Yasi Alipour, Naomi Beckwith, Nayland Blake, Louis Chude-Sokei, Amaryllis R. Flowers, Sandra Jackson-Dumont, Arthur Jafa, Chanda Prescod-Weinstein, J Wortham. Gregory R. Miller & Co. 2025, cm.25x29,5, pp.160 illustrato a colori. legatura editoriale cartonata, copertina figurata a colori. Born and raised in Bedford-Stuyvesant, Brooklyn, conceptual artist Kambui Olujimi (born 1976) works across installation, sculpture, painting, video and film to explore the liberatory possibilities of boundlessness. Through an exploration of weightlessness, Olujimi contests the fixed and singular ideas of Blackness as ascribed within persisting colonial imaginations. North Star brings together over five years of Olujimi's artwork, including large-scale watercolor paintings, video installation, ceramic sculpture, a short film and excerpts from a two-day symposium commissioned by Lincoln Center for Performing Arts. Presented in this full color monograph, these works collectively imagine what new relationships we might chart between our bodies, the self and the universe, once deeply entrenched forces are replaced by boundlessness and possibility. This book was made possible through the generous support of the Mellon Foundation.