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Il Fregio e la Stele di Francesco Barbieri nel salone della Banca Commerciale Italiana in Bari.

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Editore: Tipografia Gregoriana.
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Dettagli: cm.22,5x32, pp.20, 21 tavv.e 1 tav.ripieg.bn.ft. legatura ed.in mz.tela, applicazione bn.al piatto, in custodia,

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Milano, Mondadori 1974, cm.13,5x21, pp.270, legatura ed.soprac. cofanetto. Collana Tutte le opere di Riccardo Bacchelli,28.
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Milano, Arnoldo Mondadori Editore 1966, cm.12,5x19,5, pp.283,(5), tascabile, cop.fig.a colori. Collana Oscar Settimanali,54.
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Inoltre in appendice, Bellonci, Il nostro Petrarca; Valeri, Petrarca e la poesia contemporanea. Bologna, FirenzeLibri Editore 1976, cm.16x22, pp.120, 8 tavole fuori testo di disegni petrarcheschi di Carlo Carrà, brossura con sopraccoperta figurata Intonso. Collana I Libri di Massimiliano Boni. Biblioteca di Cultura,4.

EAN: 9788876223495
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Milano, Mondadori 1961, cm.14x21, pp.694, legatura rigida. Collana Biblioteca Moderna Mondadori,690-693.
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#318956 Arte Saggi
Foligno, CB Edizioni 2017, cm.16x22,5, pp.13o con 30 tavole a colori ft. brossura con copertina figurata a colori. The anatomical drawings of Leonardo da Vinci are generally admired for their analytical character and graphical precision, or are studied from the perspective of the scientific discoveries which the artist made in a strictly anatomical context, or in those of pathological investigation. They may also be viewed in the light of contemporary knowledge and ideas without considering the full value and the novelty of their intended visualization. In this volume, centred on the contexts and methods of visualization, Paola Salvi looks at the theory and practice of the visual arts as the foundation of Leonardos anatomical drawings. which become a scientific contribution since their intention was to make visible the human body in all its parts, by means of the selection and reconstructive imagery of the drawings. Direct observation and the communicative value of visual language replace the tedious and scarcely useful verbal descriptions of anatomical texts of the time, leading the artist to the programmatic synthesis expressed around 1510: ""Therefore it is necessary to make a drawing of it as well as to describe it"". This volume therefore becomes not only a reinterpretation and a more conscious placement of the anatomical work of Leonardo in the context of the knowledge of the time, but is also the basis of a new historical framework for artistic anatomy and, above all, for the anatomical iconography which finds models of reconstruction which have come into their own right, in the works of Leonardo. Carlo Pedretti, who writes the foreword, defines the book as, ""an enterprise that requires courage and the ability to conduct a rigourous interpretive synthesis, qualities that once again I can not help but recognise in Paola Salvi

EAN: 9788897644248
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EUR 36.00
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