Scritti critici per Arnaldo Pomodoro e opere dell'artista (1955-2000). Guida al museo-Fondazione A.P.

A cura di G.Gentili. Milano, Electa 2000, cm.25x28, pp.279, num.ill.bn.e 138 ill.e tavv.a col.nt. brossura con cop.fig.a col.

Carrara, Centro Internaz.delle Arti Plastiche, 5/5-19/8/2007. Firenze, Mandragora Ed. 2007, cm.24.5x28.5, pp.230, num.ill.e tavv.bn.e col.nt. brossura con copertina figurata a colori con bandelle.

Firenze, Alinea Editrice 2000, cm.21x22,5, pp.95, illustrazioni in bianco e nero. brossura con copeertina figurata. Collana L'Ornato di Firenze, 2.

New York, The Architectural History Foundation 2000, cm.22x28,5, pp.504, legatura editoriale cartonata con sopraccoperta figurata a colori. This is the second of a three-volume set of the complete Sangallo workshop drawing collection housed at the Uffizi Gallery in Florence. Antonio da Sangallo the Younger (1484-1546) and his workshop were involved in St. Peter's, Palazzo Farnese, and Villa Madama in Rome; vast fortification projects in Castro, Florence, Perugia, and Rome; and dozens of other secular and religious buildings throughout Italy. After Bramante, it was the Sangallo workshop that most strongly influenced sixteenth- and seventeenth-century Italian architecture. Andrea Palladio, Giacomo della Porta, Carlo Maderno, Francesco Borromini, and Gianlorenzo Bernini are among those indebted to him. In all of the projects touched by the Sangallo workshop, one senses an intense architectural laboratory in action.