Cent'anni di solitudine.

Trad.di Angelo Morino. Milano, Mondadori 1992, cm.15x22,5, pp.200, legatura ed.soprac.fig.a col. Coll.Omnibus. Prima edizione italiana.

Traduz.di Enrico Cicogna. Milano, Feltrinelli 1976, cm.13x20, pp.199, legatura ed.cartonata. Coll. I Narratori - Collana di Grandi Autori Moderni di Tutto il Mondo,211. Settima edizione.

Raccolta di interventi pubblici di Gabriel Garcia Marquez. Milano, Mondadori Ed. 2010, cm.14,5x22,5, pp.172, legatura ed., sopracop.fig.a col. Coll.Saggi.

Traduzione di Angelo Morino. Milano, Mondadori Ed. 2002, cm.14,5x22, pp.535, legatura editoriale con sovracopertina figurata. Coll.Scrittori Italiani e Stranieri. Prima edizione.

Traduz. di O.Rosenthal. Venezia, La Nuova Italia 1928, cm.14x22, pp.241, brossura intonso. Coll.Storici Antici e Moderni.

Paris, France Loisirs 2007, cm.24x24, pp.116, ill.col. relié

Revision, orchestration & cadence de jean thilde. Francia, Gerard Billaudot Ed. s.d. cm.23x30, pp.14. fascicolo spillato. Collection Maurice Andrè.

Thames & Hudson 1989, cm.15x21, pp.256, 231 illus., 50 in color. Paperback. Coll. World of Art. Surrealism was a revolution. Unlike other modern movements such as cubism and geometrical abstraction, it was not based purely on artistic innovation; its aim was nothing less than the liberation, in art and in life, of the resources of the subconscious mind. Sarane Alexandrian traces the development of surrealism from its origins in the Dada anti-art revolt of 1916-1920 to the death of its guiding spirit, Andre Breton, in 1966, which marked the end of its existence as a formal entity. The author discusses and illustrates an astonishing variety of surrealist artists, including not only such giants of the movement as Dali, Miro, Duchamp, Tanguy and Magritte, but a host of other remarkable talents.