Oasis. Standing on the shoulder of giants.

Wise 2002, cm.23x30, pp.64, brossura fig.col. Piano,Vocal,Guitar. Piano, vocal and guitar versions of all the songs from the 2002 album by the giants of britpop. Arranged at intermediate standard for piano and voice, with complete lyrics and guitar chord boxes.

Piano, vocal and guitar versions of all the songs from the 2002 album by the giants of britpop. Arranged at intermediate standard for piano and voice, with complete lyrics and guitar chord boxes. Guitar TAB edition. Wise 2002, cm.23x30, pp.64, brossura fig.col.

Milano, Rizzoli Ed. 1962, cm.17,5x24,5, pp.622, centinaia di figg.bn.nt. legatura editoriale cartonata sopraccoperta figurata a colori.

Hong Kong, Provisional Urban Council 1999, cm.26x35, pp.247, 61 illustrazioni e tavole a colori nel teso, anche a tutta pagina, brossura con copertina figurata a colori. Testo in inglese e cinese.

Vente Aux Encheres Publiques a Paris Le 15 Mai 2001. Paris, Drouot-Montaigne 2001, cm.22x28, pp.135, illustrazioni in bianco e nero e a colori, brossura con copertina figurata a colori.

Edited by Amanda Maddox, Karolina Ziebinska-Lewandowska & Damarice Amao. With contributions by Dawn Adews, Alix Agret, Patrice Allain, Victoria Combalia, Emma Lewis, Laurence Perrigault... Los Angeles, Paul Getty Museum 2019, cm.23x29, pp.210 illustrazioni bn, brossura con copertina figurata a colori. This paperback Dora Maar exhibition catalogue is exclusively available from Tate Shop, and focuses on the practice and impact of an unsung surrealist master. An accessible and elegant publication, it contains many of Dora Maar’s greatest works, interspersed with texts by a selection of pre-eminent critics and writers. French photographer, painter and poet Dora Maar (b. Henriette Theodora Markovitch, 1907–97), was a remarkable artist who straddled both the artistic and commercial realms. Until recently, Maar’s work has often been overlooked in favour of her role as model and archivist to other artists, including Man Ray and Picasso - yet Maar had been making a name for herself on the avant-garde scene long before she met these men, having studied at Académie Julian, André Lhote’s atelier, École de Photographie de la Ville de Paris and the Union Centrale des Arts Décoratifs. After it was exhibited in London at the International Surrealist Exhibition in 1936, her celebrated image Père Ubu became an emblem for the surrealist movement. Texts include: ‘Fashion and advertising’ by Amanda Maddox; ‘Nude and Eroticism’ by Alix Agret; ‘Social Engagement’ by Florian Ebner; ‘Barcelona’ by Victoria Combalia; ‘Social and Political Engagement’ by Patrice Allain; ‘Found Surrealism’ by Dawn Ades; ‘Photo Collages’ by Karolina Ziebinska-Lewandowska; ‘Surrealist Exhibitions and the “Ubu” Portrait’ by Ian Walker; ‘Women of Surrealism: Maar’s constellation’ by Abigail Solomon-Godeau; Maar’s Portraits by Picasso’ by Emma Lewis; ‘Late Work’ by Damarice Amao; and ‘Late Negatives’ by Anne Cartier-Bresson