La vita delle térmiti.

Paris, Societe di mercure de France 1896, cm.11x17, pp.230, rilegatura ed.in mezza pelle. Prima edizione. Testo in francese.

Paris, Société du Mercure de France 1907, cm.11x17,5, pp.278, rilegatura tutta tela, sul piatto anteriore di cop. la scritta in oro "Villa Igiea".

Paris, Librairie Charpentier et Fasquelle 1922, cm.12,3x19,5, pp.(2),X,180,(2), rilegatura coeva in mz.pergamena con angoli, piatti in seta, dorso a 4 nervi con fregi in oro e tassello con titoli in oro. (ex libris coevo al I risguardo; cerniere interne un po' allentate.) Septième mille.

Paris, Société du Mercure de France 1909, cm.11x17,5, pp.298, rilegatura tutta tela, sul piatto anteriore di cop. la scritta in oro "Villa Igiea".

Zurigo, Edizione Pro Juventute 1970, cm.21x15, pp.40, numerose ill.in bn.nt., brossura, cop.ornata. Ottimo esempl.

English edition. Milano, Skira 2016, cm.24x30, pp.296 , 55 ill.a colori. legatura editoriale, copertina figurata a colori. This volume provides a comprehensive account of Dennis Oppenheim's radical art practices of this explosive five-year period. Providing a principal means of spilling his Conceptual Art beyond the object or the gallery to investigate “real world” and “real time” embedded processes and places, Oppenheim’s steps into performance from 1969 enacted the artist’s body as the agent, material, and place of art, and extended his work toward multiple spaces and times, including cross-generational exchange. Directing the viewer toward his body as the source and material of his works, Oppenheim’s procedures continue to critique the conventional material and conceptual limits of both sculpture and performance. This monograph follows Oppenheim’s conceptual performance works in slide, film, video, installation and photographic form from 1969-1973, including a substantial framing essay, a newly edited interview with Willoughby Sharp, and extensive extracts from the artist’s contemporaneous notes and statements.