Il principe e pagine dei discorsi e delle istorie.

A cura di Sergio Bertelli. Milano, Feltrinelli Ed. 1964, 3 voll. cm.11,5x18, pp.XX,1768, legatura ed.con titoli in oro al dorso e al piatto, sopracop.plastificata. Collana Biblioteca di Classici Italiani,19.

A cura di Franco Gaeta. Milano, Feltrinelli Ed. 1961, cm.11x18, pp.XXII,548, tascabile, copertina illustrazioni a colori. Collana Universale Economica,351/352.

A cura di Ezio Raimondi. Milano, Ugo Mursia Editore 1966, cm.14x21, pp.L,1.296, legatura ed.in balacron, titoli e cornici in oro al dorso, sopraccop.trasparente, in custodia. Collana I Classici Italiani,V.

Rivedute sulle migliori edizioni con note filologiche e critiche di F.L.Polidori. Firenze, Le Monnier 1852, cm.12,5x18,5, pp.XVIII,649, brossura.

Plays in Production. Cambridge University Press 2008, cm.13,5x21, pp.228, brossura con cop.fig. This 1995 critical study of Ibsen's A Doll's House addresses fundamental questions of text, reception and performance. What is the definitive 'version' of A Doll's House: original text, translation, stage presentation, radio version, adaptation to film or television? What occurs when a drama intended for recipients in one language is translated into another, or when a play written for the stage is adapted for radio, television or film? And to what extent do differences between the media and between directorial approaches influence the meaning of the play text? Discussions of these issues include an internal analysis of the dramatic text and comparative performance analysis, framed by the biographical background to the play and its impact on dramas by Strindberg, Shaw and O'Neill and on films by Ingmar Bergman. The book concludes with a list of productions and a select bibliography.