Un fiore mortale. Cina : autobiografia e storia.

Traduz.di Amina Pandolfi. Milano, Club degli editori su licenza Sperling & Kupfer Ed. 1988, cm.14x21, pp.549, legatura ed.in imitlin, fregi e titoli in oro al dorso.

Firenze, Olschki Ed. 1969, cm.17x24, xxvi-224 pp., Collana Nomi (i) locali del Trentino - Serie I, 1.

A cura di Jelena Hahl-Koch. Traduz.di Mirella Torre. Milano, SE Ediz. 2002, cm.13x22, pp.270, num.tavv.bn.ft. brossura cop.fig.a col.con bandelle, Collana Testi e Documenti,112.

Seconda edizione riveduta e corretta. Chicago-London, The University of Chicago Press 1969, cm.12,5x21, pp.IX,272, num.figg.bn.nt. legatura ed.sopracop. testo in inglese.

A cura di Sandrina Bandera, Alessandro Castiglioni, Emma Zanella. Edited by Sandrina Bandera, Alessandro Castiglioni, Emma Zanella. English edition. Milano, Skira 2018, cm.17x24,5, pp.176 ill.a colori. legatura editoriale copertina figurata a colori. The book features eighty paintings and drawings, most of which unpublished, which shed a completely new light on the artistic activities of the father of the Beat Generation. A special focus is given to analysing his labyrinthic creative process and his relationships with traditional American visual culture, and with other Beat movement authors from Allen Ginsberg to William Burroughs and the masters of Art Informel and the New York School with whom Kerouac started hanging out in the latter half of the 1950s.