Dutch Drawings of the Seventeenth Century from a Collection.

Herausgegeben von Gotz Czymmek. Wallraf Richartz Muesum Koln, 6/4-1/8/1990. 1990, cm.24x29, pp.520, num.figg.a col.nt. brossura cop.fig.a col.

Florence, Palazzo Strozzi 24 October 2008- 8 February 2009. Curated by Clarice Innocenti. Florence, Mandragora 2009, cm.24,5x29, pp.192, centinaia di figg.a col.nt. brossura cop.fig.a col.

Basel, Schweiz, in den Hallen der Aschweizer Mustermesse, 15. - 20. Juni 1983. Basel, Internationale Kunstmesse Basel 1983, cm.21,5x30,3, pp.(72),627,(7), centinaia di ill. in bn. nt., legatura ed. cartonata, cop. fig. a colori.

London, Walpole Gallery, 28 June - 28 July/4 - 9 September, 2000. Edited by Ferdinando Peretti. Società Editrice Umberto Allemandi & C. 2000, cm.21x30,5, pp.108, 36 plats in colours in the text. paperback. The thirty-six works in THE SETTECENTO IN VENICE reflects the sparkling Venetian sensibility so influential in the artistic development of Europe. Throughout the 18th century Venice had been losing the solid economic and political power acquired during the glory of the previous centuries. The Settecento was an age of economic decline, but with an incredible artistic fervour supported by the painting tradition from the 15th century onwards. With the support of a tolerant government, and a benevolent cosmopolitanism, Vencie lived the last and most suggestive time of its millennium vicissitude: 'this was the mighty roar of an old lion'."

Traduzione di Francesco Bruno. Parma, Guanda Ed. 1991, cm.11,5x20, pp.94, brossura cop.fig.a col. Collana Prosa Contemporanea.